New Releases for the Week of June 2, 2017


WONDER WOMAN

(Warner Brothers) Gal Gadot, Chris Pine, Robin Wright, David Thewlis, Connie Nielsen, Elena Anaya, Lucy Davis, Ewen Bremner, Danny Huston. Directed by Patty Jenkins

The enigmatic Diana Prince from Batman v. Superman: Dawn of Justice gets her origin story as the DC Extended Universe kicks into high gear for 2017. Diana, Princess of the Amazons, has her idyllic life on an island that is nothing short of paradise interrupted by the arrival of a handsome American pilot who crash lands in the waters surrounding her island. He tells the incredulous Amazons that a war has engulfed the entire world and Diana knows that she must go to the world of men to save it, but if she does so she will go against the wishes of her mother.

See the trailer, clips and video features here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action, and some suggestive content)

3 Idiotas

(Pantelion) Martha Higareda, Sebastián Zurita, Vadhir Derbez, Germán Valdés. Two engineering students decide to go on a quest to find their friend Pancho, who disappeared on the eve of college graduation. Having been through some unforgettable adventures in college, it can only get even more bizarre now that they’ve graduated. Well, at least two of them anyway.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, Regal The Loop

Rating: NR

All About the Money

(Gravitas) Danny Trejo, Casper Van Dien, Mindy Robinson, Lin Shaye. Two buddies who are having financial difficulties are convinced by a third to take a vacation in a third world country. Only after arriving do they discover the real reason they are there – to capture the most wanted criminal in America for the reward money, despite the fact they are woefully unprepared and untrained for the job.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

Captain Underpants: The First Epic Movie

(DreamWorks Animation) Starring the voices of Kevin Hart, Ed Helms, Thomas Middleditch, Nick Kroll. Two young pranksters manage to hypnotize their overbearing school principal into thinking he’s the dimwitted superhero Captain Underpants. The consequences of their prank however go beyond what they could have expected. Based on the bestselling juvenile book series and cartoon show.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild rude humor throughout)

Churchill

(Cohen Media Group) Brian Cox, Miranda Richardson, John Slattery, James Purefoy. On the eve of D-Day, the Allied forces gather in England to mount the monumental invasion of Europe. One man stands in the way – Winston Churchill. Britain’s doughty Prime Minister, exhausted by years of war and haunted by his failure at Gallipoli in World War I, he is desperate not to be the architect of carnage once again. Beset by political opponents and frustrated generals, only the intervention of his wife and his King may yet spur to greatness a man who is destined for it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village

Rating: PG (for thematic elements, brief war images, historical smoking throughout, and some language)

Paris Can Wait

(Sony Classics) Diane Lane, Alec Baldwin, Arnaud Viard, Élodie Navarre. The wife of a successful but inattentive movie producer is tired of traveling through Europe (first world problems) and wants to head straight to Paris rather than go on to Budapest and who can blame her. Her husband’s French business partner offers to drive her. Instead of a seven hour direct drive, instead the business partner takes her on a real Tour de France, meandering down country roads and showing her fine food, fabulous wines and spectacular sights – the real France. Along the way her sense of life and joy in living is reawakened.

See the trailer and clips here.
For more on the movie this is the website
.
Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: PG (for thematic elements, smoking and some language)

Vincent N Roxxy

(Vertical) Emile Hirsch, Zoë Kravitz, Zoey Deutch, Emory Cohen. A loner in a small town falls for rebellious punk rocker. Circumstances dictate that they take an immediate departure from where they are but wherever they go, violence and bloodshed seems to follow them.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Crime
Now Playing: AMC Disney Springs

Rating: R (for bloody brutal violence, language throughout, some strong sexual content, nudity, and brief drug use)

The Wedding Plan

(Roadside Attractions) Davi Alferon, Noa Koler, Oded Leopold, Ronny Merhavi. With only six weeks to go before her wedding, a 32-year-old Orthodox Jew is dumped by her husband-to-be. Rather than cancel all the plans – the reception hall, the dress, the ceremony – she believes that God will provide her a groom and goes on a whirlwind search for the right man to spend the rest of her life with.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Romance
Now Playing: Regal Winter Park Village

Rating: PG (for thematic elements)

ALSO PLAYING IN MIAMI:

Afterimage
Champion
The Commune
Elián
Slack Bay

ALSO OPENING IN TAMPA:

Obit

ALSO OPENING IN JACKSONVILLE:

Buster’s Mal Heart

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The Autopsy of Jane Doe


The face of death.

The face of death.

(2016) Horror (IFC Midnight) Emile Hirsch, Brian Cox, Olwen Kelly, Ophelia Lovibond, Michael McElhatton, Parker Sawyers, Jane Perry, Mary Duddy, Mark Phoenix, Sydney, Yves O’Hara. Directed by André Ǿvredal

 

When we die often the most reliable evidence for how we died is our actual bodies. The things scraped from under our fingernails, the DNA inside our mouths, the lesions in the skin and the damage to internal organs all tell a story. That story not only tells the coroner  how we died but also how we lived.

Tommy Tilden (Cox) and his son Austin (Hirsch) run the Tilden mortuary (in the family for generations) in a small Virginia town. They also act as the town’s medical examiners. It’s just been the two men since Tommy’s wife passed on several years ago, but Austin has a pretty girlfriend named Emma (Lovibond) who unbeknownst to Dad has been urging Austin to follow his dreams which don’t include being a medical examiner in a small town. Austin has been trying to find a way to break the news to Tommy when Sheriff Sheldon (McElhatton) brings in a body that he needs autopsied right away, even though it’s well past business hours.

Jane Doe (Kelly) was discovered buried in the basement of a home where a brutal mass murder took place. What she was doing there is a mystery as is what relation she might have had to the killings; the Sheriff needs answers and is relying on Tommy to give them to him quickly. Tommy agrees to stay and even though Austin and Emma were about to leave on a date, Austin blows her off to help Dad out, not wanting him to be left holding the bag on what looks to be a rough autopsy.

For one thing, the body appears to be pristine – no evidence of external wounds or even a clue as to what the cause of death might be. Once the two open up the body though some unsettling facts begin to come to life; the victim’s tongue was severed, for one thing. Her lungs are black as if she had inhaled smoke. Also her wrists and ankles are broken even though there’s no external bruising.

As they perform the autopsy a bad storm hits town but now some odd things are happening. The radio changes stations on its own. The doors to the storage units for the bodies in the morgue open on their own. And there’s evidence that the dead may be walking around again and no Sheriff Andy to save the day. When things at last get to be too creepy, Tommy decides to get out (which Austin had been urging him to do for some time) but it’s far too late now. They are trapped inside the morgue with a supernatural entity who may have a bone or two to pick with them.

Ǿvredal is the Norwegian director best known for The Troll Hunter, a very different kind of horror film. This one has less of a sense of humor than his last movie and is his first English language film. It’s a whiz bang effort that relies much more on creepy atmosphere rather than over-the-top effects; like that film, there isn’t a ton of character development either.

One of his smarter moves was to cast Emile Hirsch as Austin. Hirsch is an often underrated actor who given some of his performances should at least be in the top echelon of actors but for whatever reason hasn’t gotten that kind of recognition. He plays Austin as a pretty decent guy who wants to do the right thing but has a bit of a backbone problem. Cox is one of the most respected character actors out there with such roles as Hannibal Lecter (he originated the role in Manhunter) and General William Stryker (from X-Men 2). His Tommy Tilden is very proud of his son, a pride that doesn’t allow him to see that his boy is moving down a different path than he. I would have liked to have seen more of the dynamic between them but once the horror action starts basically that element is left behind.

Otherwise, the movie is extremely well-written and creates a mythology that is easy to follow and yet is original. The ending is a bit of a letdown but not much of one; it certainly leaves room for a sequel and I have to admit that there is some appeal in the possibility that this might become a horror movie franchise, although I’ll grant you that to my mind there aren’t a lot of places a franchise can go to with this concept. The concept here – following a corpse through the autopsy process with terrifying results – is a solid one that is unique so far as I know.

The scary stuff starts pretty quickly into the movie but it doesn’t feel rushed. It builds, rather, and it builds fast. Once it gets going even horror veterans are going to find their hearts pounding and their adrenaline rushing through their systems. It’s legitimately scary and those who are sensitive to gore and nudity (the corpse of Jane Doe is naked throughout) are well-advised to consider carefully whether this is the film for them.

There has been a renaissance in horror movies over the past decade or so and Ǿvredal is one of the leading lights of it. We have seen some movies that are sure to be classics of the genre over the past three or four years in particular and this one is likely to be one of them. It’s a great time to be a horror fan and movies like this one are the reason why.

REASONS TO GO: If you love scary movies, this is the one for you. Terrific performances by Cox and Hirsch drive the film.  Ǿvredal creates a terrifying atmosphere that doesn’t relent during the entire film. Ǿvredal doesn’t wait too long to get into the thick of the horror.
REASONS TO STAY: This may be too intense for some.
FAMILY VALUES:  There are some extremely gruesome images, plenty of foul language, graphic nudity and some intense violence.
TRIVIAL PURSUIT:  After seeing The Conjuring, director Ǿvredal told his agent that he wanted to do a horror film for his next project and to find him a good script. This is the one that his agent brought to him and Ǿvredal was immediately taken by it.
CRITICAL MASS: As of 2/6/17: Rotten Tomatoes: 85% positive reviews. Metacritic: 64/100.
COMPARISON SHOPPING: The Witch
FINAL RATING: 9/10
NEXT: Chapter & Verse

New Releases for the Week of February 3, 2017


RingsRINGS

(Paramount) Matilda Lutz, Alex Roe, Johnny Galecki, Vincent D’Onofrio, Aimee Teegarden, Bonnie Morgan, Chuck Willis, Patrick Walker. Directed by Javier F. Guttieréz

It is whispered that once there was a videotape, one in which if you watched it you would be marked and in seven days after first viewing it you would die. When a woman’s boyfriend gets caught up in the subculture surrounding the urban legend, she sacrifices herself to save him and finds out that the horror doesn’t end there – that there is a movie within the movie, one that nobody knew existed and one that will bring her face to face with Samara herself.

See the trailer and the first three minutes of the movie here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: PG-13 (for violence/terror, thematic elements, some sexuality and brief drug material)

The Autopsy of Jane Doe

(IFC Midnight) Emile Hirsch, Brian Cox, Ophelia Lovibond, Olwen Kelly. A small town coroner and his son who assists him receive a body one dark and stormy night; the body of a woman who was found in the walls of a home where a terrible massacre took place. The two begin to perform an autopsy on the body but strange and disturbing things begin to happen…and soon it becomes apparent that this strange body might be at the center of it.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for bloody horror violence, unsettling grisly images, graphic nudity and language)

The Comedian

(Sony Classics) Robert De Niro, Leslie Mann, Harvey Keitel, Danny DeVito. An aging comic icon, seeking to reinvent himself in a new era of stand-up instead gets into a physical altercation with an audience member and is sentenced to community service. There he meets the daughter of a predatory real estate developer who could be the key to his future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Epic Theaters of Clermont, Regal Oviedo Marketplace, Regal Winter Park Village, UA Seminole Towne Center

Rating: R (for crude sexual references and language throughout)

Neruda

(The Orchard) Gael Garcia Bernal, Luis Gnecco, Pablo Derqui, Alfredo Castro. In 1948 the Chilean president banned the communist party in Chile as the Cold War went into full swing. Poet and member of the Chilean Senate, Pablo Neruda decried the actions of the President and was forced to go into hiding. A dogged police inspector pursued him only to find the poet and academic was one step ahead of him at nearly every turn. This, Pablo Larrain’s latest film, was nominated for a Golden Globe for Best Foreign Language Film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for sexuality/nudity and some language)

The Space Between Us

(STX Entertainment) Asa Butterfield, Gary Oldman, Britt Robertson, Carla Gugino. Gardner Eliot is the first human to be born outside of planet Earth – his mother was one of the original colonists of Mars but she died giving birth to him and never revealed the identity of his father. As the boy grows up, he becomes more obsessed with finding out who his father is and in the process begins an online relationship with a girl named Tulsa in Colorado – not the girl named Denver in Oklahoma which is what he was originally after. Anyway, when Gardner gets a chance to go to Earth he takes it, hoping to experience the home planet he’s never known only to discover that his fragile physiology will kill him if he remains there too long.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Teen Romance
Now Playing: Wide Release
Rating: PG-13 (for brief sensuality and language)

Un padre no tan padre

(Pantelion) Héctor Bonilla, Zamia Fandiño, Jacqueline Bracamontes, Benny Ibarra de Llano.  When 85-year-old Don Servando Villegas is kicked out of the retirement home he lives in because of his antisocial behavior, his son is forced to take him in to the commune where he lives with his girlfriend and son. As the logline describes it, old age meets new age as the elderly gentleman discovers that the family we’re born into isn’t always the one we create for ourselves as we make our journey.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Regal The Loop

Rating: PG-13 (for drug material, some language and partial nudity)

Morgan (2016)


Mirror images.

Mirror images.

(2016) Sci-Fi Thriller (20th Century Fox) Kate Mara, Anya Taylor-Joy, Rose Leslie, Michael Yare, Toby Jones, Paul Giamatti, Michelle Yeoh, Chris Sullivan, Boyd Holbrook, Vinette Robinson, Brian Cox, Jennifer Jason Leigh, Crispian Belfrage, Amybeth McNulty, Jonathan Aris, Charlotte Asprey, Frank Cannon, Bobby Marrio, Martin O’Sullivan, Chrissie Harris. Directed by Luke Scott

 

As our technology and scientific understanding progress, we will be confronted by questions having to do with what it means to be human – and whether or not that definition is broad enough to cover the wonders that are sure to follow. Will artificial life forms have the same compunctions we do? Can we ever truly trust them?

Morgan (Taylor-Joy) is the results of a bio-engineering experiment using artificial DNA. She is brilliant, strong and yet emotionally immature; she’s only five years old chronologically speaking although she is in her teens in terms of physical development. When she suddenly and without warning attacks a psychologist (Leigh) in the compound, the corporation funding the experiments sends risk analyst Lee Weathers (Mara) to make the determination if the plug should be pulled on the experiment.

When she reaches the secluded Pacific Northwest compound where the scientists studying Morgan are housed, she is met with wariness. Lee is surprised to find the personal attachment many of the scientists have with Morgan with the exception of nutritionist Skip Vronsky (Holbrook) who still refers to Morgan as “it.” The rest of the team has bonded with the girl in spite of the attack on one of their number; they show affection towards her, even though they keep her in what amounts to a cage.

After an examination by another psychologist (Giamatti) ends in disaster, the lead scientist on the Morgan project (Yeoh) reluctantly decides to terminate Morgan which meets with resistance from the team, but Lee is adamant that the directive be carried out. However, like all living beings, Morgan is possessed with a strong survival instinct. She also has not only the ability to use it, but deadly abilities not even her handlers were aware she had.

Artificial life forms gone amuck have long been a staple of Hollywood sci-fi horror films. This isn’t really a horror movie per se, although there are some pieces of shocking violence here (particularly the initial sequence). Mostly this is a thriller with philosophical overtones as the cold, calculating Lee is put up against the occasionally sympathetic Morgan, although at the end of the film all our sympathies are confused.

Most will see the twist coming, although that isn’t the fault of the actors involved. Mara and Taylor-Joy both play polar opposites for much of the movie and both do credible jobs, with Mara getting a slight edge in terms of performance. The supporting cast, including Leigh, Yeoh and Giamatti, are stellar and are sadly underused here; their combined screen time is probably less than ten minutes all told and we end up wishing to have seen more of them by the time the movie ends.

There are some beautiful images here as well, with Ireland subbing for the Pacific Northwest. Then again, this is a micro-budgeted film and that unfortunately shows in some of the production design; for whatever reason the housing compound for the supposedly high tech facility is ramshackle and looks pointedly like the Psycho house. If they had just gotten ordinary dormitories it would have looked more realistic and I can’t believe it would have cost them any more to use, particularly in the exterior shots.

Mostly this is a credible thriller that goes off the rails near the end of the movie when it becomes a standard action film and quite frankly, the action portions aren’t particularly noteworthy. That spoils some of the nifty mood making that Scott engaged in during the bulk of the movie, in which viewers are given a disturbing feeling that things Aren’t Quite Right Here, which of course most would know anyway from seeing the trailer.

Scott has some good techniques and when he gets something in his wheelhouse, he knows what to do with it. I can’t say if he’ll end up being as good or better a director as his dad but for my money he has the potential to do so. Let’s hope he finds the right material to enable him to do just that.

REASONS TO GO: Mara is cold and remorseless. The film raises some interesting philosophical questions.
REASONS TO STAY:
Another film peopled with characters who don’t behave like real people. Several terrific actors in the cast are wasted in roles that go nowhere.
FAMILY VALUES: The violence in the film is pretty brutal; there’s also a fair amount of foul language.
TRIVIAL PURSUIT: Scott is the son of director Ridley Scott.
CRITICAL MASS: As of 10/3/16: Rotten Tomatoes: 39% positive reviews. Metacritic: 48/100.
COMPARISON SHOPPING: Ex-Machina
FINAL RATING: 6/10
NEXT: Train to Busan

New Releases for the Week of September 2, 2016


MorganMORGAN

(20th Century Fox) Kate Mara, Anya Taylor-Joy, Toby Jones, Paul Giamatti, Boyd Holbrook, Jennifer Jason Leigh, Michelle Yeoh, Brian Cox. Directed by Luke Scott

A corporate troubleshooter is sent to a remote lab to investigate a recent accident and to evaluate whether the program being conducted there should be continued. When she arrives, it soon seems that the culprit behind the chaos is a seemingly innocent whose facade hides enormous potential – and incredible danger.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for brutal violence and some language)

Don’t Think Twice

(The Film Arcade) Mike Birbiglia, Gillian Jacobs, Kate Micucci, Keegan-Michael Key. When the member of a popular New York City improv troupe gets a big break on an SNL-like late night sketch show, the others in the group – all friends – begin to realize that the odds are that not all of them are going to make it after all. And maybe, none of them will.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for language and some drug use)

Kickboxer: Vengeance

(RLJ) Alain Moussi, Georges St-Pierre, Dave Bautista, Jean-Claude van Damme. After his brother is killed in the ring by a brutal fighter, a young man swears vengeance upon the man that killed him but in order to beat him, he’ll have to get training from the best of the best – a kickboxer by the name of Durand.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Martial Arts
Now Playing: AMC Disney Springs, AMC Loew’s Universal Cineplex

Rating: NR

The Light Between Oceans

(DreamWorks) Michael Fassbender, Alicia Vikander, Rachel Weisz, Jack Thompson. Just after the First World War, an army vet takes a job as a lighthouse keeper on the rugged, isolated Australian coast, two days ride from anywhere and only seeing a supply boat once a season. Here he brings his strong-willed wife and here they try to bring a baby into the world, but meet with miscarriages and a stillbirth. One day she hears a baby’s cries on the wind and finds a baby in a lifeboat with a dead man. Believing this to be a sign from God she keeps the baby for her own against her husband’s better judgment. However, when they return to the mainland, they discover that their choice may have been devastating for someone else – a woman who may well be the true mother of the child.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG-13 (for thematic material and some sexual content)

The Ninth Life of Louis Drax

(Miramax/Summit) Jamie Dornan, Sarah Gadon, Aaron Paul, Oliver Platt. After surviving eight near-death experiences, a little boy plunges off a cliff – and miraculously survives, but is left in a coma. In order to find out what really happened, an acclaimed neurologist tries an experimental procedure to get inside the boy’s mind – and finds something sinister lurking there.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Supernatural Thriller
Now Playing: Wide Release

Rating: R (for some disturbing images and brief strong language)

No manches Frida

(Pantelion) Omar Chaparro, Martha Higareda, Monica Dionne, Rocio Garcia. After a bank robber is released from prison, he goes to recover his stolen money which he’d buried in a schoolyard. Unfortunately, while he was inside the school built a gymnasium on top of where he buried the loot. In order to get into the gym and dig for his cash, he must masquerade as a substitute teacher at the school – which quickly escalates into chaos.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: AMC Disney Springs, AMC The Loop, Epic Theaters at Lee Vista

Rating: PG-13 (for crude sexual content, drug material, teen smoking and drinking, brief strong language and gestures and thematic elements)

The Sea of Trees

(A24) Matthew McConaughey, Naomi Watts, Ken Watanabe, Katie Aselton. A suicidal American enters a Japanese forest at the base of Mt. Fuji to finish himself off. While there he finds a Japanese man lost in the impenetrable woods and the two become friends. Finding the way out of the forest however turns out to be a lot more difficult than finding their way in. This is the latest from director Gus Van Sant.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Loew’s Universal Cineplex

Rating: PG-13 (for mature thematic material, some disturbing images and brief strong language)

Yoga Hosers

(Invincible) Johnny Depp, Lily-Rose Depp, Harley Quinn Smith, Adam Brody. A pair of comely convenience store clerks in Winnipeg, Manitoba is chagrined to discover they’ll have to be working when they could be at the party of the year. To make matters worse, their store is ground zero for an interdimensional invasion of…Nazi sausages. I couldn’t make this stuff up if I tried. Thankfully, director Kevin Smith can.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard (playing Friday night at midnight only)
Genre: Action
Now Playing: Enzian Theater

Rating: PG-13 (for crude humor, sexual references, some violence and brief drug material)

Trick ‘r Treat


Four princesses discuss the Halloween tradition of slutty costumes.

Four princesses discuss the Halloween tradition of slutty costumes.

(2007) Horror (Warner Brothers) Dylan Baker, Anna Paquin, Brian Cox, Leslie Bibb, Quinn Lord, Rochelle Aytes, Lauren Lee Smith, Monica Delain, Tahmoh Penikett, Samm Todd, Jean-Luc Bilodeau, Gerald Paetz, Connor Levins, Patrick Gilmore, T-Roy Kozuki, Britt McKillipp, Brett Kelly, Isabelle Deluce, Alberto Ghisi, Barbara Kottmeier, Laura Mennell, Amy Esterle. Directed by Michael Dougherty

6 Days of Darkness 2015

Halloween has become a revered American holiday with many traditions and tales. Some are more or less universal (at least here in America) and some are regional but all are important as part of the holiday that signals the approaching end of the year and the beginning of the holiday season.

This anthology sat on the shelf at Warners for two years before getting an excuse me release and heading straight to the purgatory of home video. Usually that’s what happens to movies that are just plain lousy. Was that the case here?

Trick ‘r Treat is an anthology horror movie in the tradition of Tales of the Crypt with interconnected stories all connected by a diminutive linking device. The movie opens with a young couple, Henry (Penikett) who loves Halloween and Emma (Bibb) who clearly doesn’t returning home after a Halloween party. Emma’s distaste for the Halloween ends up having some fairly nasty consequences for her.

Their neighbor Steven Wilkins (Baker) the high school principal, catches a young teen stealing candy from his yard which leads to a lecture – and the revelation of the principal’s dark secret which doesn’t turn out so well for the teen. It does however lead to an interesting jack-o-lantern carving session with his boy Billy (Levins). Then we move on to four teens – who had visited the Wilkins home earlier – who head out to the local quarry where according to local legend a school bus full of mentally and emotionally challenged kids were driven into the lake by the school bus driver while chained to their seats and drowned – supposedly at the behest of their ashamed parents. As one of the teens – bullied Rhonda (Todd) – discovers, some urban legends should remain just that.

Another quartet of teens including virtuous Laurie (Paquin) go to the town’s annual Halloween party on the square, hoping to find Laurie’s “first.” However, it’s not the “first” you’re probably thinking of. Finally, the town curmudgeon (Cox) who hates Halloween with an absolute passion finds that one little trick or treater named Sam (Lord) in a filthy pair of orange pajama footies with a burlap sack wrapped around his head will give him a Halloween he will never forget.

All of the stories are connected together mainly by Sam who appears in one way or another in each one. Some of the connections are a bit of a stretch but by the end of the movie it all makes sense. A tip of the hat for the writing which is rock solid.

There is a pretty decent cast here with several veterans like Cox, Paquin, Bibb and Baker who have turned in a number of solid performances over the years and all are just as solid here. Most of the supporting cast is more or less unknown but there aren’t any false notes in the acting which is impressive. Todd as a matter of fact distinguishes herself as the put-upon teen who ends up in an urban legend of her own.

The stories themselves aren’t particularly gory or innovative but they get the job done. While modern horror movies tend to rely on gore and/or special effects, these are more story-driven and in some ways are throwbacks. For old school horror fans, this should be welcome news as this really is the kind of horror that isn’t done very often these days – although in the last 18 months or so I’ve noticed that there has been more of a movement in that direction with certain individual tales in anthologies and a movie or two.

Throughout the movie we do see children and teens put in jeopardy – while the latter is no biggie as far as Hollywood is concerned, the former is a major no-no and was likely the reason the movie stayed shelved so long. The major studios are a bit squeamish about children in jeopardy, Jurassic Park notwithstanding, especially when said children are not only in peril but don’t always survive. For horror fans, that’s a big deal as we usually see kids saved in unrealistic ways or have movies watered down so the kids can survive. It’s refreshing to see that taboo bridged somewhat.

So this is one of those movies that didn’t get the release it was expected to receive nor the attention it deserved (although critics generally praised it). The horror film fan community however is well aware of the movie and has generally embraced it – so much so that a sequel has been planned (although not yet come to fruition). In any case, if you’re looking for a hidden gem to watch this Halloween, here is one for your consideration.

WHY RENT THIS: Really good scares coupled with genuinely funny moments. Pretty solid cast.
WHY RENT SOMETHING ELSE: Kids in peril may be too uncomfortable for some.
FAMILY VALUES: Plenty of violence and some gore, some sexuality and nudity and a fair amount of foul language.
TRIVIAL PURSUIT: Sam takes his name from Samhain, the Celtic festival of the dead.
NOTABLE DVD EXTRAS: An animated short prequel detailing the story of the demonic Sam is included on all editions, while the Blu-Ray also has a short history of the holiday and a look at the special effects used in the school bus scene.
BOX OFFICE PERFORMANCE: Not applicable.
SITES TO SEE: Netflix (DVD Rental only). Amazon, iTunes, Flixster, Vudu
COMPARISON SHOPPING: Creepshow
FINAL RATING: 7/10
NEXT: Six Days of Darkness continues!

Pixels


Game over.

Game over.

(2015) Family Sci-Fi Comedy (Columbia) Adam Sandler, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad, Matt Lintz, Brian Cox, Sean Bean, Jane Krakowski, Dan Aykroyd, Affion Crockett, Lainie Kazan, Ashley Benson, Denis Akiyama, Tom McCarthy, Tim Herlihy, Serena Williams, Martha Stewart, Dan Patrick, Rose Rollins. Directed by Chris Columbus

It’s hard to believe, but the 1980s are now three decades in the rear view. It doesn’t seem that long ago that I was hanging out in the local video arcade, losing quarters at a terrifying rate and listening to Depeche Mode, Duran Duran and Culture Club on the radio and, being me, looking like a reject from the 70s. My fashion sense has always been a decade out of whack.

But the sins of the 80s are catching up with us. The footage of a video game championship contest are among the clips that have been sent out by NASA in a probe into outer space, hoping to find intelligent life and re-assure them that we are peaceful and eager for friendship. Instead, the aliens (whom we never see) get the wrong idea; they believe these violent games to be a declaration of war and in their culture, they send out their warriors to face our warriors in a test of strength, only our warriors don’t have a clue what to do with these now-archaic video games.

It will be up to Brenner (Sandler), the runner-up in the contest and boyhood friend to President “Chewy” Cooper (James) to save the day, along with the winner of the contest, the arrogant Eddie (Dinklage) and  another childhood friend, Ludlow (Gad) who is a raging conspiracy theorist these days in tow. A fetching Marine Colonel, Violet Van Patton (Monaghan) serves as the military liaison with Brenner’s Arcaders team with Admiral Porter (Cox), the Pentagon Chief of Staff, who doesn’t think much of Brenner and his team. They ain’t much but they’re all we’ve got.

This is based on a short film which is far superior to the feature. There are no name actors in it and the special effects are much less detailed shall we say. Still, it’s far more entertaining than this flat and generally unfunny comedy which has been somewhat justifiably excoriated by the critics. However, I have to admit that the video game characters, the scenes in the arcade in the 80s and the general vibe induced a nice feeling of nostalgia in me, which I assume was the point. But unfortunately, I needed more and I assume, so did most of those who have been panning the film.

Certainly it helps to have had some connection to the 80s to enjoy the movie at all, but like a lot of Sandler films as of late, this just isn’t that funny. It’s almost all shtick, and that is the kind of humor that can be taken only in small doses, at least by me. Sandler, who had done some pretty funny movies early on, like Happy Gilmore for example, hasn’t really made me laugh for it feels like a decade or more. I don’t know why; he’s a genuinely funny guy, and he has a quick wit that comes out in talk shows. It just feels like he’s playing the same character over and over again, so much so that he has stopped caring about it. I can’t say for certain that it’s true but it sure feels that way watching him.

I like Kevin James too but he suffers from the same issues as Sandler; mostly, playing the same guy in generally unfunny comedies. There were some moments, like when he appears in front of a crowd that clearly hates him and he’s nothing but polite and almost ignorant of the hatred directed at him – now, that was funny. Some have said that he blends the girth of Christie, the timidity of McConnell, the ignorance of Perry, the reading issues of Dubya and the hair of Paul – essentially the perfect Republican presidential candidate. I don’t know if that was the filmmakers intention but the role certainly satirizes modern politics nicely – and subtly. I wish there was more going on like that.

Instead, we get the bombast of the space invaders, coming at us with Centipede, Pac-Man, Galaga and Donkey Kong. We get a life-size Q-Bert and gigantic Froggers hopping across traffic. I think it probably sounded impressive to the producers and the executives who greenlit this, but there really is no way to make the clunky graphics of the 80s come off as anything other than clunky graphics. And don’t get me started on the extraneous, completely unnecessary 3D.

Every summer there’s always one movie that just bites the big one, and this summer it appears to be this one. It gives me no joy to say this; I think Adam Sandler is a decent guy who really needs to make some different choices in movies. He needs to re-invent himself and I wish him luck at it; comebacks are notoriously hard in Hollywood but Sandler is still a talented guy. So are most of the people involved with this movie but this would have better been left a short.

REASONS TO GO: Video arcade nostalgia. Some of the more satirical stuff works.
REASONS TO STAY: Not very funny. Special effects are clunky.
FAMILY VALUES: Some slightly foul language and suggestive comments.
TRIVIAL PURSUIT: Although Akiyama plays Pac-Man inventor Toru Iwatami, the real Iwatami appears in the film. He didn’t want to play himself because he speaks no English.
CRITICAL MASS: As of 7/30/15: Rotten Tomatoes: 18% positive reviews. Metacritic: 27/100.
COMPARISON SHOPPING: Super Mario Brothers
FINAL RATING: 5/10
NEXT: Primeval