New Releases for the Week of August 23, 2019


ANGEL HAS FALLEN

(Lionsgate) Gerard Butler, Morgan Freeman, Jada Pinkett Smith, Lance Reddick, Tim Blake Nelson, Piper Perabo, Danny Huston, Nick Nolte. Directed by Ric Roman Waugh

An assassination attempt on the President leaves his trusted Secret Service agent and confidante Mike Banning wrongly accused. He is forced to go on the run to clear his name, keep his family safe and root out the real threat to the country and stop it before it’s too late.

See the trailer, video featurettes and a clip here
For more on the movie this is the website
Genre: Action
Now Playing: Wide Release
Rating: R (for violence and language throughout)

After the Wedding

(Sony Classics) Michelle Williams, Julianne Moore, Billy Crudup, Abby Quinn. The administrator of an orphanage in India gets an unexpected and generous donation from a mysterious benefactor in New York. She must go to the Big Apple to accept the gift in person but there is much more going on there than meets the eye.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: PG-13 (for thematic material and some strong language)

Luce

(NEON) Naomi Watts, Octavia Spencer, Kelvin Harrison Jr., Tim Roth. Ten years after adopting their son from Eritrea, a pair of suburban white parents believe their son has a bright future ahead of him. An academic all-star, well-regarded in the community and an example for his peers, Luce turns in a term paper with a troubling point of view. His African-American teacher begins to fear the worst which puts her into direct conflict with his parents.

See the trailer, clips and video featurettes here
For more on the movie this is the website  
Genre: Drama
Now Playing: Regal Winter Park Village
Rating: R (for language throughout, sexual content, nudity and some drug use)

The Nightingale

(IFC) Aisling Franciosi, Sam Claflin, Baykali Ganambarr, Damon Herriman. In early 19th century Australia during the penal colony days, a woman suffers repeated sexual assault at the hands of a British officer. When her husband intervenes, the officer murders both her husband and her infant. Destitute and bereft, she goes on a journey to exact revenge. This previously played at both the Miami Film Festival and Florida Film Festival; you can read the review by clicking on the link in the “Scheduled For Review” section below.

See the trailer, a video featurette and a clip here
For more on the movie this is the website  
Genre: Historical Drama
Now Playing: Enzian Theater
Rating: R (for strong violent and disturbing content including rape, language throughout and brief sexuality))

Overcomer

(Affirm) Alex Kendrick, Priscilla C. Shirer, Shari Rigby, Cameron Arnett. When a small town is devastated by a plant closing throwing thousands out of work, the local high school basketball coach wonders what sort of future he has in the town. Pressed into service to coach the girl’s cross country team, he encounters an extraordinary athlete whose faith may very well move mountains.

See the trailer here
For more on the movie this is the website  
Genre: Faith-Based Drama
Now Playing: Wide Release
Rating: PG (for some thematic elements)

The Peanut Butter Falcon

(Roadside Attractions) Shia LaBeouf, Dakota Johnson, John Hawkes, Bruce Dern. A young man with Down’s Syndrome and a yen to become a professional wrestler, confined to a nursing home because the State doesn’t have an opening at a proper facility for his care, runs away to find his wrestling hero who runs a wrestling school. He falls in with an ex-con on the run from some angry fishermen as the two search for a place where they can live life on their own terms.

See the trailer, a clip and video featurettes here
For more on the movie this is the website  
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Lake Square, Regal Oviedo Marketplace, Regal The Loop, Regal Waterford Lakes Regal Winter Park Village, Rialto Spanish Springs Square
Rating: PG-13 (for thematic content, language throughout, some violence and smoking)

Ready or Not

(Fox Searchlight) Samara Weaving, Adam Brody, Andie MacDowell, Henry Czerny. A young woman marries into a wealthy family who have an eccentric tradition; a game must be played at midnight on the night of the wedding to welcome the new member of the family. When she selects a game of Hide and Seek, she discovers that the game is no laughing matter and she is in a fight for her very survival.

See the trailer and video featurettes here
For more on the movie this is the website  
Genre: Horror
Now Playing: Wide Release
Rating: R (for violence, bloody images, language throughout, and some drug use)

ALSO OPENING IN ORLANDO/DAYTONA:

Mike Wallace is Here

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

The Best Summer of My Life
Comali
Tel Aviv on Fire

ALSO OPENING IN TAMPA/ST. PETERSBURG/SARASOTA:

Jacob’s Ladder (2019)
Tel Aviv on Fire
Tone Deaf

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Comali
Twice the Dream

SCHEDULED FOR REVIEW:

Angel Has Fallen
The Nightingale
The Peanut Butter Falcon
Ready or Not

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New Releases for the Week of October 5, 2018


VENOM

(Columbia/Marvel) Tom Hardy, Michelle Williams, Woody Harrelson, Jenny Slate, Riz Ahmed, Michelle Lee, Sope Aluko, Reid Scott, Mac Brandt, Melora Walters. Directed by Ruben Fleischer

Investigative reporter Eddie Brock tries to redeem himself following a scandal following a government experiment involving an alien symbiotic lifeform but accidentally becomes infected by the symbiote. He becomes Venom, a violent and often malevolent entity who has his own agenda but with a shadowy organization with nefarious ambitions of the own trying to develop their own version, the alien and the reporter realize their interests intersect.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, DBOX, DBOX 3D, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for language)

A Star is Born

(Warner Brothers) Bradley Cooper, Lady Gaga, Sam Elliott, Dave Chappelle. The latest version of a timeless classic finds a grizzled musician with a rosier past than future falling for a young woman who has given up on her dream of stardom. He coaxes her into the spotlight and her career immediately takes off but the higher she soars, the more strain on their relationship is placed particularly since he has a substance abuse problem that is putting everything in jeopardy. Cooper also makes his directorial debut.

See the trailer, a video featurette and a music video here
For more on the movie this is the website

Release Formats: Standard, Dolby
Genre: Musical
Now Playing: Wide Release

Rating: R (for language throughout, some sexuality/nudity and substance abuse)

The Church

(Hard Floor) Clint Howard, Bill Moseley, Ashley C. Williams, Meghan Strange. The minister of a once vibrant and iconic Baptist church in a decaying Philadelphia neighborhood resists gentrification despite pleas from his status-seeking wife and bribes from unscrupulous developers. He is determined to preserve the legacy of his family’s ministry in the neighborhood even if he has to break a few commandments to do it!

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: AMC Disney Springs

Rating: PG-13 (for some violent content and thematic materials)

Mandy

(RLJE) Nicolas Cage, Andrea Riseborough, Linus Roache, Bill Duke. A peaceful couple living in the wilderness of the Pacific Northwest has their lives shattered by a twisted cult leader who develops an obsession with Mandy, the distaff half of the couple. Red, the male half, is forced to go on a journey of vengeance, blood, fire and rage.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: NR

Monsters and Men

(Neon) Anthony Ramos, John David Washington, Nicole Beharie, Cara Buono. A young man with a promising athletic future witnesses a police shooting, recording it on his cellphone. He has the valuable proof that will validate the assertion that it was unjustified but releasing the footage could jeopardize his future.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, Regal Winter Park Village

Rating: R (for language)

Pick of the Litter

(Sundance Selects) Dana Nachman, Don Hardy Jr. This documentary follows a litter of puppies from the moment of their birth through the two years of training to be service dogs for the blind. The bar is set high and not every dog makes the cut. Both heartwarming and heartbreaking, the film provides insight as to how dogs go from unruly pups to disciplined service animals.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Documentary
Now Playing: Enzian Theater

Rating: NR

Shine

(GVN) Jorge Burgos, Gilbert Saldivar, Jadi Collado, Alysia Reiner. Two salsa dancing Puerto Rican brothers in Spanish Harlem are estranged by a family tragedy. Years later they have chosen different paths; one looking for success as a real estate developer, the other devoted to preserving their old neighborhood at all costs. What’s a dancer to do…except dance?

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Urban Dance
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC West Oaks, Cobb Plaza Café Cinema, Old Mill Playhouse, Regal Pointe Orlando, Regal The Loop, Regal Waterford Lakes

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Andhadhun
Bayou Caviar
Exes Baggage
Nota
Ride

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

96
A Crooked Somebody
Exes Baggage
Fats Buddies
The Hate U Give
Hello, Mrs. Money
Nota
Prathamika Shale, Kasargud, Koduge Ramanna Rai
The Sisters Brothers

ALSO OPENING IN TAMPA/ST. PETERSBURG:

96
A Crooked Somebody
Loveyatri
Loving Pablo
Nota
Pariyerum Perumal
Raatchasan
Ride
Tea With the Dames
Varathan
Viking Destiny

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

96
Andhadhun
Exes Baggage
Nota

SCHEDULED FOR REVIEW:

A Star is Born
The Church
Mandy
Pick of the Litter
Tea With the Dames
Venom

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Tampa International Gay and Lesbian Film Festival (Tampa, FL)

The Greatest Showman


Hugh Jackman knows this movie is a snow job.

(2017) Musical (20th Century Fox) Hugh Jackman, Michelle Williams, Zac Efron, Zendaya, Rebecca Ferguson, Austyn Johnson, Cameron Seely, Keala Settle, Sam Humphrey, Yahya Abdul-Mateen II, Eric Anderson, Ellis Rubin, Skylar Dunn, Daniel Everidge, Radu Spinghel, Yusaku Komori, Daniel Son, Paul Sparks, Will Swenson, Linda Marie Larsen, Byron Jennings, Betsy Aidem. Directed by Michael Gracey

 

Phineas Taylor Barnum once famously said “There’s a sucker born every minute” and that “Nobody ever went broke underestimating the intelligence of the American consumer.” The fact that this movie has done the kind of box office it has is proof of that.

Barnum (Jackman) is a penniless dreamer who has married a beautiful rich girl named Charity (Williams) whose family his father once worked for. Her father most assuredly does NOT approve of the match. Barnum has big plans to buy a specific mansion near where they grew up but no means to get there but after losing yet another low-paying job disappears on him, he decides to go into business for himself, using a little financial chicanery to secure a bank loan to open up his Museum of Oddities.

At first business is slow but his wife believes in him. It’s just when he begins to add human acts – bearded ladies, Siamese twins, General Tom Thumb a performing little person, trapeze artists and acrobats does his business begin to thrive. Upper class playwright Philip Carlyle (Efron) is taken by the show and by a trapeze artist name Anne (Zendaya) in particular but it still takes Barnum some fancy talking to get him to invest in the Museum as a partner.

While on an overseas trip he hears the Swedish Nightingale Jenny Lind (Ferguson),, then the most famous singer on Earth, perform at Buckingham Palace and is completely taken by her voice and her beauty. He offers to bankroll her tour of the United States as her manager for which she would get an unheard-of (at the time) guaranteed sum. The tour threatens to bankrupt P.T. but it also threatens his marriage as Lind tries to seduce him and leave his wife for her.

.A suspicious fire burns down the Museum and all of a sudden Barnum is left with nothing again; furthermore his family of unusual acts is no longer feeling the love, having seen him turn their backs on them and treat them like unwelcome guests. Can this dysfunctional family reunite and rebuild?

I had high hopes for this, particular given that Jackman is in the title role. It’s perfect casting and Jackman who cut his show biz teeth on musical theater in Australia is more than up to the task, being the big reason to see the movie. His natural charm and likability shine through and even when he’s acting like a jerk you still like the guy and like me were pretty sure he would come around to his senses.

Unfortunately after that it’s a very short list of reasons to see this. While I like the theme of inclusiveness (although they tend to bang the audience over the head with it), after that there are some key components to the film that simply aren’t up to snuff. First and most glaringly is the songs. They are absolutely dreadful; all of them sound pretty much the same and none of them really are the kind you’ll be humming after you leave the theater; as I write this I can’t remember the tune to a single one of them. That’s very bad news for a musical.

The writers for whatever reason seem to stick a song in even where one isn’t needed and in fact the musical number ends up disrupting the flow of the film. Personally I loved the idea of a musical about Barnum but it needed a capable songwriter to write the music and lyrics. This sounds like it was written by Broadway hacks which it certainly wasn’t; the folks involved wrote the music and lyrics to La La Land and did a much better job with that property. There is not one song here that is anywhere near as memorable as “City of Stars.”

The writers also play fast and loose with history (for example, there is no evidence whatsoever that the relationship between Barnum and Lind was anything but a business one) which isn’t an original Hollywood sin but there are so many characters here that were invented out of whole cloth – certainly Barnum had plenty of interesting people in his life that could have made appearances here. Poor Michelle Williams has so little to do that her smile begins to look awfully strained by the end of the movie. Even CGI couldn’t save it – except that the CGI that the movie does utilize is uniformly terrible.

I could go on and on. Barnum’s children here are essentially perfect movie kids whose presence is superfluous and disruptive. There are too many anachronisms in the dialogue to shake a stick at – but why kick a horse when it’s already down, except not only is this horse down it’s also been lit on fire, stabbed through the heart, shot, beaten with a crowbar and drowned in a vat of acid before being miraculously resurrected and buried alive. Actually, the horse has it better than those who must watch this movie. See it for Jackman if you must but see it at home so you can turn it off when you start to feel yourself beginning to need to do whatever it takes to stop the torture.

REASONS TO GO: Hugh Jackman is charismatic and charming. The “different is okay” theme still resonates.
REASONS TO STAY: The songs are generic and awful. There are too many historical liberties taken and the children are an unnecessary distraction. It feels like the writers were flailing around a bit.
FAMILY VALUES: There is some violence and some sexual innuendo.
TRIVIAL PURSUIT: Many of the costumes used in the film are the property of Ringling Brothers Barnum and Bailey Circus and have been actually worn by performers.
CRITICAL MASS: As of 2/518: Rotten Tomatoes: 55% positive reviews. Metacritic: 72/100.
COMPARISON SHOPPING: Chicago
FINAL RATING: 4/10 (all Jackman)
NEXT:
Off the Menu

New Releases for the Week of December 22, 2017


JUMANJI: WELCOME TO THE JUNGLE

(Columbia) Dwayne Johnson, Kevin Hart, Jack Black, Karen Gillan, Rhys Darby, Bobby Cannavale, Nick Jonas, Alex Wolff, Missi Pyle.  Directed by Jake Kasdan

A group of four bored teenagers discover an old video console and while fooling around with it are somehow transported into the game’s jungle setting, becoming the avatars they chose. They discover their strengths and weaknesses (don’t give Fridge any cake) and must work together if they are to survive the game and make it home. Based on the Robin Williams classic movie Jumanji.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy
Now Playing: Wide Release (opened Wednesday)

Rating: PG-13 (for adventure action, suggestive content and some language)

All the Money in the World

(Tri-Star) Michelle Williams, Christopher Plummer, Mark Wahlberg, Charlie Plummer. Sometimes, truth is stranger than fiction; in the 70s, the heir to a billion-dollar oil fortune was kidnapped and held for ransom. His grandfather, the richest man on Earth, refused to pay it despite having his grandson’s ear sliced off as proof the kidnappers meant business, leaving his mom to rescue her boy on her own. Also stranger than fiction, disgraced actor Kevin Spacey was originally cast as oil baron J. Paul Getty. After being accused of sexual misconduct and only weeks before the release date, director Ridley Scott decided to erase Spacey from the film and digitally insert Christopher Plummer instead. Like I said, stranger than fiction.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release (opens Monday)

Rating: R (for language, some violence, disturbing images and brief drug content)

Darkest Hour

(Focus) Gary Oldman, Kristin Scott Thomas, Ben Mendelsohn, Lily James. Early in World War II, the United Kingdom must replace their Prime Minister with a compromise candidate that nobody really wanted; Winston Churchill. He is given a nation to lead on the brink of complete military collapse; their army is trapped in Dunkirk and their navy and air force have taken a pounding. Somehow this unpopular Prime Minister must summon the will to lead his country through the darkest hour in their history.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, AMC Universal Cineplex, Cinemark Artegon Marketplace, Regal Winter Park Village

Rating: PG-13 (for some thematic material)

Downsizing

(Paramount) Matt Damon, Christoph Waltz, Kristen Wiig, Jason Sudeikis. A middle class couple makes the decision that a new shrinking technique will make their lives better. When the wife backs out at the last moment, the husband is left to begin a new life in a new world and rediscovers wonder and purpose.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Wide Release

Rating: R (for language including sexual references, some graphic nudity and drug use)

Father Figures

(Warner Brothers) Owen Wilson, Ed Helms, Glenn Close, J.K. Simmons. Two twin brothers discover that their father, whom they were told was dead, was in fact possibly very much alive – but their mother wasn’t sure which man out of several possibilities their actual dad is. They decide to go on a road trip to find out for certain.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for language and sexual references throughout)

The Greatest Showman

(20th Century Fox) Hugh Jackman, Michelle Williams, Zac Efron, Zendaya. The story of the legendary P.T. Barnum whose circus and museum of oddities became known as the Greatest Show on Earth is set to music from the team that gave us La La Land.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release (opened Wednesday)

Rating: PG (for thematic elements including a brawl)

Molly’s Game

(STX) Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera. Here is the incredible but true story of former Olympic-class skier Molly Bloom who following her athletic career ran a high-stakes poker game that made her an FBI target when it turned out some very dangerous Russian Mafia types were part of her clientele. Remember the whole truth is stranger than fiction thing?

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Disney Springs, Regal Winter Park Village (opens Monday)

Rating: R (for language, drug content and some violence)

Pitch Perfect 3

(Universal) Anna Kendrick, Rebel Wilson, Brittany Snow, Anna Camp. The publicity is touting that this is the final chapter in the Glee-rip-off series. We can only pray they’re not lying.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Musical
Now Playing: Wide Release

Rating: PG-13 (for crude and sexual content, language and some action)

The Shape of Water

(Fox Searchlight) Sally Hawkins, Octavia Spencer, Michael Shannon, Richard Jenkins. In a secret laboratory in the 1960s, a mute janitor discovers that the scientists are experimenting on a strange aquatic creature they took from the Amazon. She is determined to stop their cruel experiments on the creature when she discovers that not only is the being intelligent but an emotional attachment is developing between them. This film led all movies this year in total Golden Globe nominations with seven.

See the trailer, clips, interviews and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Fantasy
Now Playing: Enzian Theater, Wide Release

Rating: R (for sexual content, graphic nudity, violence and language)

Tiger Zinda Hai

(Yash Raj) Katrina Kaif, Salman Khan, Anupriya Goenka, Paresh Rawal. Superspies Tiger and Zoya are pressed back into service eight years later when India is threatened by a potential despot. This is the sequel to the massive Indian hit Ek the Tiger.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Spy Action
Now Playing: AMC Universal Cineplex, AMC West Oaks, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

Crooked House
Hello!
Kaleidoscope
MCA – Middle Class Abbay

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Call Me by Your Name
Hello!
MCA – Middle Class Abbay
The Trace We Leave Behind

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hello!
MCA – Middle Class Abbay
Velaikkaran

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Hello!
MCA – Middle Class Abbay

SCHEDULED FOR REVIEW:

All the Money in the World
Call Me By Your Name

Darkest Hour
Downsizing
Father Figures
The Greatest Showman
Jumanji: Welcome to the Jungle
Molly’s Game
The Shape of Water

Wonderstruck (2017)


Sometimes the most exciting adventures can start on the other side of a closed door.

(2017) Drama (Amazon/Roadside Attractions) Julianne Moore, Oakes Fegley, Millicent Simmonds, Michelle Williams, Tom Noonan, Jaden Michael, Amy Hargreaves, Morgan Turner, Ekaterina Samsonov, Lilianne Rojek, John Boyd, Cory Michael Smith, James Urbaniak, Anthony Natale, John P. McGinty, Damian Young, Sawyer Niehaus, Raul Torres, Lauren Ridloff. Directed by Todd Haynes

 

The difference between childish and childlike is the difference between being self-focused and being struck by wonder. In the former, all we can think about is our immediate desires; in the latter, the world is fresh and new and worthy of exploration. Deep down, all of us yearn to be wonder struck.

It is 1977 and Ben (Fegley) is grieving the loss of his mother (Williams) in a car accident. He doesn’t know who his father is and his mother refused to discuss the matter, wanting him to wait until he was older but she passed before she could tell him what he wants, what he needs to know. Sent to live with his aunt (Hargreaves), he sometimes sneaks back to his old house to immerse himself in the things that surrounded him. There he finds a clue to his father’s identity on a bookmark with a New York City address, a far journey from his Gunflint, Minnesota address. On his way back to his aunt’s, he is struck by lightning and left deaf.

It is 1927 and Rose (Simmonds) has been deaf all her life. Her overbearing father (Urbaniak) wants her to learn how to lip read but she’s having none of the tedious lessons from an insensitive teacher. She is obsessed with silent screen star Lillian Mayhew (Moore) who is performing on Broadway so she leaves her Hoboken, NJ mansion and runs away to the city to see her idol.

Both of these children will encounter New York’s Museum of Natural History – the one where the displays come to life after dark if such things can be believed. Both will be captivated by similar displays and both are connected over time without knowing it.

Haynes is an extraordinary visual director who tends to favor films that are concerned with transformative experiences, so in a sense this is right in his wheelhouse but at the same time it’s a bit of a departure for him. The film is a lot more mainstream than his films normally are – although his last one, Carol, was Oscar-nominated and was at least a modest success but it certainly couldn’t be described accurately as “mainstream.”

Some distinctions need to be made here; this is a film about children but it isn’t a children’s film. While some kids who are a bit more eclectic in their cinematic taste might appreciate it, it is adults who are going to find more magic here than the younger set. Haynes has always had a really good sense of era; the 1977 sequences are in garish color and as Ben emerges from a trash-strewn Port Authority to the strains of Deodato’s funky version of Also Sprach Zarathustra which is perfect for the moment. We see New York in a moment where it is grimy, gritty and harsh, a city decaying from its grandeur but still confident in its greatness. The 1927 sequences are in black and white and are silent which is also appropriate; in these sequences New York is magical, the center of the world, the place everyone wants to be and for good reason. Haynes and editor Alfonso Gonçalves skillfully weave the two stories into a viable whole without jarring the audience, a masterful feat.

Here I must mention the music. I’ve never been a huge Carter Burwell fan but this is by far his most brilliant score to date. It is the kind of music that breaks the heart and centers the viewer in both eras. The use of period music, particularly in the more recent sequence, is near-perfection and hearing two era-appropriate versions of David Bowie’s “A Space Oddity” shows not only intelligent planning on the matter of music but a good deal of intuition. I don’t often buy film scores but I just might this one.

This is based on a book by Brian Selznick (who also did the book that spawned Martin Scorsese’s Hugo) and Selznick wrote the screenplay. I haven’t read the book but judging on what I saw on screen it couldn’t have been an easy adaptation. I do have some complaints about the film however; there were a few too many plot contrivances that made this feel like one of the Disney Channel’s weaker efforts at times and distracted from the overall magic of the film. Also Fegley was somewhat over-the-top in his performance; he should have been instructed to dial things down somewhat. Simmonds was much more effective in her role. Moore, who has collaborated with Haynes on four films now, shines as the silent film star but more so in a mystery role that she appears in near the film’s conclusion – more I will not tell you.

Capturing the sense of wonder of childhood is no easy task and Haynes can be forgiven if he wasn’t always entirely successful. We do get a sense of the frustration that physical limitations can put on someone and while this isn’t the definitive story about deafness, it is at least one that I think that the non-hearing community will appreciate. I wasn’t quite wonder struck by Wonderstruck but I did appreciate it and I do recommend it and I think that you will enjoy it if you give it half a chance.

REASONS TO GO: The score is amazing. Making the 1920s sequences silent and black and white is very clever.
REASONS TO STAY: Fegley is a little bit hammy. Overall the movie is a bit Disney Channel-esque.
FAMILY VALUES: The themes are a little bit on the adult side.
TRIVIAL PURSUIT: Simmonds is deaf in real life; her performance so moved Will Smith at the film’s Cannes screening that he personally congratulated the young actress.
CRITICAL MASS: As of 11/10/17: Rotten Tomatoes: 71% positive reviews. Metacritic: 72/100.
COMPARISON SHOPPING: Life in Wartime
FINAL RATING: 6.5/10
NEXT:
A Murder in Mansfield

New Releases for the Week of November 10, 2017


MURDER ON THE ORIENT EXPRESS

(20th Century Fox) Kenneth Branagh, Johnny Depp, Michelle Pfeiffer, Judi Dench, Josh Gad, Daisy Ridley, Willem Dafoe, Penelope Cruz, Derek Jacobi. Directed by Kenneth Branagh

On board a luxury train traveling from Istanbul to Calais a passenger is mysteriously murdered. The cabin door has been locked from the inside. Who done it? Fortunately, the world’s greatest detective – Hercule Poirot – is on board the train and if anyone can make sense of the bewildering maze of clues, it’s the Belgian with the grand moustache. Based on the book authored by Agatha Christie, this is one of the greatest mystery novels ever written.

See the trailer, interviews, clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Mystery
Now Playing: Wide Release

Rating: PG-13 (for violence and thematic elements)

Daddy’s Home 2

(Paramount) Will Ferrell, Mark Wahlberg, Mel Gibson, John Lithgow. Christmas time is here and there’s nothing like the holidays to bring a family together. For Brad and Dusty, the two co-dads are happily contemplating a blended Christmas with all their family under one roof. Then, both of their dads decide to visit for the Yuletide and all of a sudden things are getting way more complicated.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for suggestive material and some language)

The Killing of a Sacred Deer

(A24) Nicole Kidman, Alicia Silverstone, Colin Farrell, Barry Keoghan. A brilliant cardiovascular surgeon takes a young man under his wing when his father, a patient of his, passes away. When the boy’s behavior turns sinister, the surgeon notices that his family is getting seriously ill. He will be forced to make an unthinkable sacrifice in this new film from the director of The Lobster.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Thriller
Now Playing: Regal Winter Park Village

Rating: R (for disturbing violent and sexual content, some graphic nudity and language)

Wonderstruck

(Amazon/Roadside Attractions) Oakes Fegley, Julianne Moore, Michelle Williams, Millicent Simmonds. Two young children – one a boy in the Midwest in the 1970s, another a deaf girl in New York City of the 1920s – search for answers about who they are, unaware of the connection that binds them together. Brian Selznick, who wrote the novel this is based upon, also wrote the screenplay. Look for the review tomorrow.

See the trailer, clips and a video feature here.
For more on the movie this is the website

Release Formats: Standard
Genre: Family Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs

Rating: PG (for thematic elements and smoking)

ALSO OPENING IN ORLANDO/DAYTONA:

Hello Again
Pottersville
Qarib Qarib Singlle
Walking Out

ALSO OPENING IN MIAMI:

BPM
C/O Surya
Hello Again
My Friend Dahmer
Paradise
Pottersville
Qarib Qarib Singlle
The Square
Tom of Finland

ALSO OPENING IN TAMPA:

Amanda and Jack Go Glamping
Hello Again
Qarib Qarib Singlle

ALSO OPENING IN JACKSONVILLE:

C/O Surya
Hello Again
Jane
Loving Vincent
No Greater Love

SCHEDULED FOR REVIEW:

Daddy’s Home 2
Jane
The Killing of a Sacred Deer
Loving Vincent
Murder on the Orient Express
Walking Out
Wonderstruck

Manchester by the Sea


Grief is an emotion best shared.

Grief is an emotion best shared.

(2016) Drama (Roadside Attractions/Amazon) Casey Affleck, Lucas Hedges, Michelle Williams, Kyle Chandler, C.J. Wilson, Josh Hamilton, Tate Donovan, Jami Tennille Mingo, Anna Baryshnikov, Liam McNeill, Gretchen Mol, Kara Hayward, Joe Stapleton, Brian Chamberlain, Christian Mallen, Oscar Wahlberg, Ruibo Qian, Tom Kemp, Chloe Dixon, Matthew Broderick, Quincy Tyler Bernstine. Directed by Kenneth Lonergan

 

Joseph Conrad famously wrote that “that which does not kill us makes us stronger” but like all aphorisms, it isn’t always true. There are some things, some horrible terrible things, that may not necessarily kill us but they destroy us emotionally, mentally and spiritually. They turn us into the living dead, unable to recover, unable to die.

Lee Chandler (Affleck) is someone like that. He works as a handyman/janitor in several apartment buildings in Quincy, Massachusetts, taken for granted and overlooked – and quite happy in that circumstance. He’s good at what he does, but when he gets guff from the tenants he tends to give it right back. He hangs out in bars, ignoring the come-ons of attractive women and then getting into meaningless bar fights, exploding over the slightest provocation.

His routine is disrupted with the news that his big brother Joe (Chandler) has died suddenly. Joe has had heart problems for years so it isn’t completely unexpected but it is still a devastating blow. Both brothers are divorced but Joe does have a son Patrick (Hedges) that lives with him since it turns out that his mom (Mol) is a raging alcoholic. Lee for whatever reason has been unable to forgive her for this. Lee goes back to Manchester-by-the-sea, a North Shore town where he grew up but he has left for good reason.

To Lee’s dismay, it turns out that Joe in his will named Lee as Patrick’s guardian. It also turns out that Joe has left enough money that will assist Lee in paying for things that Patrick will need. Lee has no intention of taking care of Patrick in Manchester – he wants Patrick to finish out the school year and then live with him in Quincy until he goes to college but Patrick balks. His whole life is there in Manchester – two girlfriends and a truly bad garage band – but he doesn’t want to start over, particularly with his Uncle who is taciturn, grim-faced and possessed of an explosive temper that gets him into trouble.

Lee’s ex-wife Randi (Williams) is seeing someone else but seems eager to re-connect with Lee, which Lee seems absolutely against. There are those in town who seem to have some sort of issue with Lee as well; most seem to shy away from him, as if he’s a bomb with a hair trigger. Bit by bit, we discover why Lee has these walls up…but can anything bring them down?

Most Hollywood movies dealing with a broken man (and Lee Chandler is most assuredly broken) who is forced unwillingly to become responsible for a child (although Patrick is 16 years old) usually end up with the broken man being fixed by the experience. Manchester by the Sea is a refreshing change from that trope as Lee is changed, but not fixed. The pain he is in is still there when the movie ends, and it is clear that pain will always be with him – and understandably so. What he has to live with is not something that people can just fix and forget.

Affleck, who in many ways has always been in the shadows of his brother Ben, has emerged with this performance. Oh sure, we always knew he could act – Gone Baby Gone and The Assassination of Jesse James by the Coward Robert Ford and several other examples are proof of that. Here though he is an odds on favorite to win the Best Actor Oscar and is a lock to get at least a nomination. This is the kind of performance that sears the soul of the viewer and stays there; it is a performance one can view again and again and still find something fresh and new about it. It is the step one takes from being a good actor to being a great one, and it is worth celebrating – we can always use great actors and Casey Affleck has become one.

Much of the movie is concerned with grief and how different people experience it. One point that Lonergan makes is that no matter how together someone seems on the surface, eventually that pain must manifest itself in some way or another, either through tears or walls or both. There are several scenes – a late film encounter between Lee and his ex, the moment when Patrick finally breaks down, the aftermath of a tragedy – that are as important as any you’ll see in a movie this year, or any other for that matter.

This is a movie firmly entrenched in working class values. Hollywood has a tendency to either mythologize those values, or condescend towards them. Lonergan does neither; he simply presents them as he sees them and allows the audience to draw their own conclusions. He doesn’t shy away from allowing people to think either; there are a lot of concepts here worthy of post-movie discussion and while it can be a hard movie to sit through, it is rewarding because of that reason. The subject matter is heavy and Lonergan refuses to take short cuts or dumb things down.

I know a lot of people mistrust Hollywood as a bastion of liberal elitism and there’s some justification for that. Those people who feel that way should see this movie. It is a celebration of life in the midst of pain and death. It doesn’t shy away from the realities of life but it doesn’t wallow in them either. It finds the quiet bravery of just getting up in the morning without making a fuss about it. In short, this is one of the best movies of 2016 and one which you should make every effort to see.

REASONS TO GO: A show-stopping performance by Casey Affleck is one of the best of the year. Grief is looked at in an honest and realistic way. The attitude is completely working class in a good way. This film doesn’t dumb itself down for its audience.
REASONS TO STAY: The pacing is a little bit on the slow side.
FAMILY VALUES: There is plenty of foul language, some sexual situations and adult themes.
TRIVIAL PURSUIT: The project was originally intended for Matt Damon to direct and star in, but conflicts with The Martian forced him to withdraw.
CRITICAL MASS: As of 12/29/16: Rotten Tomatoes: 97% positive reviews. Metacritic: 96/100.
COMPARISON SHOPPING: Angels Crest
FINAL RATING: 10/10
NEXT: Vacancy