Deadpool

Deadpool is knocking the movie industry sideways.

Deadpool is knocking the movie industry sideways.

(2016) Superhero (20th Century Fox) Ryan Reynolds, Morena Baccarin, Ed Skrein, Gina Carano, T.J. Miller, Brianna Hildebrand, Stefan Kapicic (voice), Michael Benyaer, Karan Soni, Leslie Uggams, Rob Hayter, Greg LaSalle, Hugh Scott, Donna Yamamoto, Kyle Cassie, Taylor Hickson, Randal Reeder, Jed Rees, Style Dayne, Aatash Amir, Chad Riley, Emily Haine. Directed by Tim Miller

We’re all used to the ponderous superhero movies with tons of special effects as we see how the hero went from a young nobody to being a powerful and charismatic hero, saving the world (or at least New York) from threats that even Schwarzenegger at his best couldn’t overcome.

Wade Wilson (Reynolds) is an ex Special Forces vet with 41 kills to his credit. These days he makes a living by being a bad guy taking out worse guys, as he puts it. He hangs out in the St. Agnes School, which is really a bar where mercenaries hang out awaiting assignments and the bartender Weasel (Miller) is Wilson’s best friend.

Then Wilson meets Vanessa (Baccarin), a cocktail waitress and hooker who agrees to go out on a date with him and eventually, the two become a couple. But when things are going good, fate has a way of laying the smack down on us. Wilson is diagnosed with terminal cancer. While drinking away his troubles, he is met in the bar by a recruiter (Rees) for an experimental medical program that can cure Wade’s cancer but also give him superpowers. With nothing to lose, he leaves Vanessa’s bed in the middle of the night and heads for the clinic (which is more like a warehouse) overseen by psychotic scientist/super villain Ajax (Skrein) who hates his given name of Francis. The process which it takes to cure Wade is a brutal one and an excruciating one.

When he escapes the compound after Ajax and his super-strong minion Angel Dust (Carano) – whom Wilson describes as a less angry Rosie O’Donnell – torture him with a modified hyperbaric chamber, Wade is disfigured and pissed off. Donning a costume with a mask so nobody can see his face, he adopts the name Deadpool after a pastime at the bar, and goes on the hunt for his nemesis.

In the meantime, the X-Men in the form of Colossus (Kapicic/LaSalle) and Negasonic Teenage Warhead (Hildebrand) are trying to recruit Deadpool for their team although ‘pool is far too focused on getting revenge to bother with saving the world. Not that he’s against saving the world, as long as he gets the girl, puts the bad guys into the ground and has plenty of chimichangas afterwards.

Reynolds has been trying to get this made for six years, ever since the unsatisfying appearance of the Merc with a Mouth in X-Men Origins: Wolverine. Fox has been resistant to the idea of doing an R-rated superhero movie and for once, the filmmakers got their way and I’m sure the executives at Fox are happy that they did. The movie has been a phenomenal success; already some pundits are talking that it will force the industry to rethink the entire release concept of tentpole blockbusters.

I don’t know if this will eventually be that kind of game-changer but it is excessively entertaining. As has been noted basically everywhere, the tone is irreverent (the opening credits proclaim the movie was directed by “An Overpaid Tool” and has similar credits for most of the cartoonish opening) and the main character often addresses the audience directly, or makes references to the fact that he’s in the movie as when he tells Negasonic Teenage Warhead and Colossus that they are the only two X-Men he ever sees despite living in a huge mansion: “I guess the producers couldn’t afford any more X-Men” he says snidely.

Reynolds was born to play this role. He has the right amount of attitude and the right amount of physicality and somewhat importantly, the right amount of looks. He’s also willing to take a bit of a right cross to the career jaw and make fun of his own image even as his movie is lampooning the genre and Marvel in one fell swoop. Reynolds is engaging and even though his character is violent, annoying and a little bit psychotic, he ends up carrying the audience’s interest throughout.

The rest of the cast is for the most part pretty much unknown although Baccarin, best known for her stint in Firefly, makes for a fine love interest, Carano (a former MMA fighter) a mostly line-less henchwoman and Skrein a suave villain who gets annoyed whenever his real name is used. While Skrein isn’t the most charismatic man to hit Hollywood ever, he nonetheless fulfills the role of an urbane British villain nicely.

I think overall the movie captures the spirit of the comic book pretty well, which is good news for fans. If there are any sticking points it’s that the movie slows down a little near the end when it should be building momentum, and the excessive gore and profanity may be a little much for those sensitive for such things. And parents, please do NOT bring your kids to this. Unless you feel comfortable dropping the F-bomb in front of them regularly and exposing them to scenes of heads being sliced off of their necks, this isn’t meant for kids. I don’t know how many people have to say this however many different ways – and I still see idiot parents bringing their six and seven year old kids to the movie. Get a flippin’ babysitter if you want to see it that badly.

In any case, this is the movie we asked for, it’s the movie we deserve. It’s fun and while I get the sense that Fox kind of hedged their bets with the budget, it’s clear that there will be lots more Deadpool goodness in our futures. And that suits me just fine.

REASONS TO GO: A fun romp throughout. Stays true to the spirit of the comic book.
REASONS TO STAY: The gore and profanity may upset the sensitive.
FAMILY VALUES: Ohmygod ohmygod ohmygod ohmygawd! Do not take your children to this movie. If they’re under ten chances are it will be too much for them. There’s a TON of f-bombs, gratuitous violence (always the best kind), and some graphic nudity.
TRIVIAL PURSUIT: Became the first R-rated film to open with more than $100 million at the box office.
CRITICAL MASS: As of 2/21/16: Rotten Tomatoes: 83% positive reviews. Metacritic: 65/100.
COMPARISON SHOPPING: Super
FINAL RATING: 7/10
NEXT: Kung Fu Panda 3

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