Shang-Chi and the Legend of the Ten Rings


A new hero rises.

(2021) Superhero (Disney) Simu Liu, Awkwafina, Tony Leung, Michelle Yeoh, Meng’er Zhang, Fala Chen, Florian Munteanu, Yuen Wah, Andy Le, Paul He, Jayden Zhang, Elodie Fong, Arnold Sun, Stephanie Hsu, Kunal Dudheker, Tsai Chin, Jodi Long, Dallas Liu, Ronny Chieng, Stella Ye, Ben Kingsley, Michael-Anthony Taylor, Zach Cherry, Raymond Ma, Benedict Wong, Harmonie He. Directed by Destin Daniel Cretton

 

There are a number of firsts going on in the latest entry into the MCU. The first Asian-American superhero. The first Marvel feature to introduce a new hero into the mix since Captain Marvel. The first MCU film with a director of Asian descent. The first villainous role for Chinese action legend Tony Leung (and also his first English-language film). The first to debut on Labor Day weekend. The first Disney film to resume production after the initial pandemic shutdown.

But is that all there is to a movie? Ground-breaking alone doesn’t make for a great, entertaining film. Thankfully, Shang-Chi and the Legend of the Ten Rings fits the bill and then some.

A prologue tells us of Wenwu (Leung), a villain who found (or stole) ten magic arm rings that rendered him invincible as well as virtually immortal. Over a thousand years, he conquered everything there was to conquer, but he wanted more. The “more” was a village called Ta Lo, a hidden village that sits in a neighboring dimension where dwell legendary magical creatures and contains magical power of immense proportions. Wenwu – who would later be used as the blueprint to create the fictional terrorist known as the Mandarin – already led a criminal enterprise and commanded an army of ninjas, including killers Death Dealer (Le) and Razor Fist (Munteanu), but comes by a map that helps him arrive at the village, although the bamboo forest it is located in seemed to be a living guardian of the peaceful village. There is also a human guardian – the beautiful Li (Chen) who bests Wenwu in a fight. The criminal overlord promptly falls in love and, improbably, ends up marrying her.

Because of Wenwu’s criminal past, the couple is denied residence in Ta Lo so Macau is where they end up living. Li gives birth to a son and daughter before she dies, and Wenwu, who had softened into a family man, hardens right back up, training his young son, Shang-Chi, to be a killer while mostly ignoring his daughter, Xiang.

Shang-Chi (Liu) eventually runs away from his father, choosing not to become like him, and ends up in San Francisco, using the name Shaun. He has a bestie named Katy (Awkwafina) who, like him, parks cars at a swanky SF hotel. While Katy’s mom (Long) and grandma (Chin) wonder when the two are going to get married, but they’re just friends (without benefits – this is a PG-13 film after all). However, on a bus ride to work, Shaun is attacked by a group of thugs including Razor Fist and turns out that he has extraordinary martial arts abilities, much to the shock of Katy who is unaware of his past. He manages to beat the thugs, but they steal a pendant that his mother had given him, but let slip that they are going after his sister next. So Shang-Chi boards a plane for Macau, having received a cryptic postcard from his sister which apparently reveals her address and Katy insists on going with.

There they find a bitter Xiang (Zhang) who had resented her brother for leaving her behind with their father. She, too, had eventually run away from home and began an empire of her own with a high-tech fight club on top of a skyscraper. That’s when the goons arrive and so does dear old dad. You see, it seems he needs the pendants to reveal a map that will navigate a safe passage through the bamboo forest to Ta Lo. Wenwu has been hearing his wife’s voice, begging him to set her free from imprisonment in her former home. But he also intends to destroy that home, much to Shang-Chi’s horror. They must find a way to get there first if they are going to stop their dad, who is unwittingly going to release a horrible, Apocalypse-bringing monster onto the earth if he succeeds.

First of all, the good news: this is one of the best Marvel movies yet, right up there with Black Panther and Guardians of the Galaxy. It is beautifully shot, the fight sequences are phenomenal (particularly the first one on the bus) and the CGI without peer. Simu Liu, who was previously best known for the Canadian TV series Kim’s Convenience, is going to be a huge star, following the example of Chris Hemsworth who was a little-known actor before being cast as Thor. Add to that the lustrous Michelle Yeoh as Auntie Nan, Leung who gets to show American filmgoers what Asian audiences have known for decades, and Awkwafina who continues to become a major A-list star with her performance here.

weaves all the elements together pretty well. I will admit that during the middle the movie becomes necessarily exposition-heavy and drags somewhat, but other than that, he shows a sure hand on the big stage even though he comes from an indie background (Short Term 12) and this is really his first big budget major tentpole release. Undoubtedly he’ll get a lot more like this, in all likelihood including Shang-Chi 2 which is almost a certainty to make it onto Marvel’s schedule eventually.

There are two post-credit sequences, incidentally, and the first one is maybe the best one in the franchise with a couple of cameos by Marvel superheroes and hints at what Shang-Chi’s place in the larger MCU is going to be. Given what I’ve seen here, he’s not going to fade into the woodwork any time soon. This is the must-see movie of the season and by all means go out and see it in a theater if you can.

REASONS TO SEE: Wonderfully weaves Chinese culture, myths and legends into the MCU. Simu Liu is going to be a star and Awkwafina further cements her own reputation. Incredible action sequences and effects. One of the best Marvel movies ever.
REASONS TO AVOID: A little bit long, dragging a bit in the middle third.
FAMILY VALUES: There is plenty of fantasy/superhero action and violence, as well as some profanity.
TRIVIAL PURSUIT: Stunt coordinator Bradley James Allen, who was the first (and only) non-Asian member of Jackie Chan’s stunt team, passed away on August 7 from an undisclosed illness. The film is dedicated to him.
CRITICAL MASS: As of 9/4/2021: Rotten Tomatoes: 92% positive reviews; Metacritic: 71/100.
COMPARISON SHOPPING: Hero
FINAL RATING: 9.5/10
NEXT:
Triaphilia

New Releases for the Week of September 3, 2021


SHANG-CHI AND THE LEGEND OF THE TEN RINGS

(Disney) Simu Liu, Tony Leung, Awkafina, Michelle Yeoh, Meng’er Zhang, Fala Chen, Yuen Wah, Florian Munteanu, Andy Le. Directed by Destin Daniel Crettin

Shang-Chi is the son of a criminal mastermind, leader of the Ten Rings organization. His father trains him to be a lethal weapon, but Shang-Chi rejects his father’s ways and flees to America. However, you can’t run from your past any more than you can run from who you are and he will have to find it within him to stand against his own father to become the hero within him.

See the trailer here
For more on the movie this is the website

Genre: Superhero
Now Playing: Wide
Rating: PG-13 (for sequences of violence and action, and language)

Cinderella

(Amazon/Columbia) Camilo Cebello, Idina Menzel, Pierce Brosnan, Minnie Driver. The familiar fairy tale is given a modern update with a pop soundtrack. Hopefully, Pierce Brosnan isn’t singing in this one.

See the trailer here
For more on the movie this is the website

Genre: Musical
Now Playing: Cinemark Universal Citywalk (also on Amazon Prime)
Rating: PG (for suggestive material and language)

The Gateway

(Lionsgate) Shea Whigham, Olivia Munn, Frank Grillo, Keith David. A social worker winds up in a situation out of control when he tries to protect one of his clients from her violent drug-dealing husband, recently paroled from jail. He and his crew will do anything to find their stash of drugs – and kill anyone who stands in their way.

See the trailer here
For more on the movie this is the website

Genre: Crime Thriller
Now Playing: Studio Movie Grille Sunset Walk
Rating: R (for strong violence, pervasive language, drug use, some sexual content and nudity)

The Lost Leonardo

(Sony Classics) Jerry Saltz, Martin Kemp, Doug Patteson, Robert K. Wittman. The story of the most expensive painting ever sold, which purports to be a lost masterpiece by Leonardo Da Vinci. But is it, or is it a game piece in an elaborate charade?

See the trailer here
For more on the movie this is the website

Genre: Documentary
Now Playing: Enzian
Rating: PG-13 (for nude art images)

Wild Indian

(Vertical) Michael Greyeyes, Kate Bosworth, Jesse Eisenberg, Chaske Spencer. A native American man has left his violent past – and murderous secret – on the reservation. Now the new life he has made for himself is threatened by a ghost from that past.

See the trailer here
For more on the movie this is the website

Genre: Thriller
Now Playing: Studio Movie Grill Sunset Walk
Rating: NR

Yakuza Princess

(Magnet) Masumi, Jonathan Rhys-Meyers, Tsuyoshi Ihara, Eijiro Ozaki. An orphan discovers that she is heir to half of the Yakuza criminal empire. Joining with an amnesiac stranger who believes that both of their destinies are tied up in an ancient sword, she must fight against the heir to the other half of the Yakuza fortune who wants to kill her for complete control.

See the trailer here
For more on the movie this is the website

Genre: Crime
Now Playing: Fashion Square Premiere
Rating: R (for strong bloody violence, some language and graphic nudity)

COMING TO VIRTUAL CINEMA/VOD:

Afterlife of the Party (Thursday)
Attention Attention
Good
Hands Up
The J Team
Karen
The Madness Inside Me
Memory House
Samantha Rose
(Tuesday)
Saving Paradise
Ted Bundy: American Boogeyman
We Need to Do Something
Worth

SCHEDULED FOR REVIEW:

Good
The Lost Leonardo
Shang-Chi and the Legend of the Ten Rings
Worth



New Releases for the Week of August 30, 2013


Getaway

GETAWAY

(Warner Brothers) Ethan Hawke, Selena Gomez, Jon Voight, Rebecca Budig, Paul Freeman, Bruce Payne, Ivailo Geraskov. Directed by Courtney Solomon

When the wife of a former race car driver is kidnapped, her husband is forced to commandeer a customized sports car, taking the owner on a high octane race against time. Forced to follow the instructions of a faceless voice, knowing his every move is being watched, he must whip up a plan to defeat the nameless criminal calling the shots, knowing that his wife’s life as well as the two lives in the car are forfeit if he can’t.

See the trailer, clips, promos and featurettes here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Action

Rating: PG-13 (for intense action, violence and mayhem throughout, some rude gestures and language)

Closed Circuit

(Focus) Eric Bana, Rebecca Hall, Ciaran Hinds, Julia Stiles. Two former lovers, now estranged, are reluctantly forced to work together as the defense team of an accused terrorist. However, it seems that their every move is being watched and it becomes clear that events are being manipulated. The closer they look, the more danger they’re in.

See the trailer and clips here.

For more on the movie this is the website.

Release formats: Standard (opens Wednesday)

Genre: Thriller

Rating: PG-13 (for some sexuality, violence and language) 

The Grandmaster

(Weinstein) Ziyi Zhang, Tony Leung, Zhang Yongcheng, Cung Le. Visionary Chinese director Wong Kar Wai weighs in with this tale of Ip Man, the legendary Chinese martial arts master who is best known in the West as Bruce Lee’s teacher. During the chaos that followed the fall of China’s last imperial dynasty, he would rise as the best of the best during the golden age of Chinese martial arts. Not to be confused with the Ip Man trilogy which also was loosely based on the same historical figure.

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard

Genre: Martial Arts

Rating: PG-13 (for violence, some smoking, brief drug use and language)

Instructions Not Included

(Pantelion) Eugenio Derbez, Jessica Lindsey, Loreto Peralta, Daniel Raymont. A ladies man in Acapulco finds a baby girl on his doorstep. He decides to raise her himself after unsuccessfully searching for the mother in Los Angeles and manages to carve out a decent life for the two of them and a successful career as a Hollywood stunt ma. Complications ensue six years later when the birth mother resurfaces and wants her daughter back.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Dramedy

Rating: PG-13 (for sexual content, thematic elements and language)

One Direction: This is Us

(TriStar) Niall Horan, Zayn Malik, Liam Payne, Harry Styles. Documentary filmmaker shocks his fans by doing a movie about the teen heartthrobs du jour. At least all the pre-teen tween girls will be giggling and texting in a different theater than the rest of us while this is out.

See the trailer, clips and a promo here.

For more on the movie this is the website.

Release formats: Standard, 3D (opens Thursday)

Genre: Musical Documentary

Rating: PG (for mild language)

Satyagraha

(UTV) Amitabh Bachchan, Kareena Kapoor, Ajay Devgn, Arjun Rampal. A young man rising in the corporate ranks sees his hopes dashed when a personal tragedy exposes him to the corruption in the system. Moved to take action, he allies with an idealistic older man and ignites a revolution that soon spirals far out of control.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Bollywood

Rating: NR

The Spectacular Now

(A24) Miles Teller, Shailene Woodley, Brie Larson, Kyle Chandler . A popular BMOC in high school, the guy all the girls want to be with falls for the good girl. What begins as an unlikely romance blossoms into something deeper and more complicated than either one ever expected.

See the trailer, a clip and a featurette here.

For more on the movie this is the website.

Release formats: Standard

Genre: Coming of Age Drama

Rating: R (for alcohol use, language and some sexuality – all involving teens)

Red Cliff


Red Cliff

A scene of majesty and dignity from Red Cliff as Lin Chiling approaches Zhang Fengyi's headquarters.

(Magnet) Tony Leung, Takeshi Kaneshiro, Chang Chen, Zhao Wei, Hu Jun, Zhang Fenyi, Lin Chiling, Shido Nakamura, You Yong, Ba Sen Zha Bu, Hou Yong, Philip Hersh (voice), Jiang Tong, Song Jia, Tong Dawei. Directed by John Woo

Chinese history is a rich and varied one, which sadly remains largely unknown in the West. One of the great events in the history of China is the Battle of Red Cliff, which took place in 209 AD during the Han Dynasty.

Cao Cao (Fenyi) is the ruthless and ambitious Prime Minister of the Han Dynasty. He has quelled rebel warlords in Northern China, successfully reuniting territory that had been fractured under years of ineffectual rule. He is the de facto ruler of China; even the Emperor quails before him. He has turned his sights to the South and two warlords who he feels are a threat to his agenda – the usurpation of the thrown for himself.

Liu Bei (Yu Yong) has been spectacularly unsuccessful as a warlord, losing battle after battle. Sun Quan is an ambitious but inexperienced ruler whose advisors have constantly counseled against battle, leading to a wide perception that Sun Quan is a coward. Cao Cao is unimpressed with either; he snorts derisively “When a loser joins forces with a coward, what can be accomplished?” at the thought of the alliance between the two squabbling Southerners.

In truth, the alliance between the two falls into his plans perfectly, giving him the excuse to invade the South. In a skirmish against Liu Bei, Liu Bei’s army is decimated, although in fairness he leaves them on the battlefield long enough to protect the civilian population of the area to flee, at the cost of his wife who dies during the conflict. Bei, knowing he cannot stand against the vast army of Cao Cao (which is said to number over 800,000) alone, sends his military strategist Zhuge Liang (Kaneshiro) to entreat Sun Quan to join forces. As expected, Sun Quan’s ministers are advising him to surrender. Liang however decides on a different route of persuasion; he wins the heart and mind of Zhou Yu (Leung), the mightiest warrior in the South and something of a mentor to Sun Quan. Zhou Yu is also married to Xiao Qiao (Chiling), a renowned beauty whom Cao Cao has had a crush on for many years.

Zhuge Liang and Zhou Yu bond over a mutual love of music and the alliance is joined. The two armies encamp at a place called Red Cliff near the Yangtze River. In the meantime, Cao Cao’s flotilla approaches. Destiny awaits the victor and China one way or another will never be the same.

Director John Woo made his reputation directing action films in Hong Kong back in the ‘80s and early ‘90s before departing for a celebrated career in Hollywood, which includes such titles as Mission: Impossible II, Face Off and Broken Arrow. He has rarely attempted period dramas before and certainly none on this scale, but he pulls it off like he’s channeling Cecil B. deMille. The most expensive movie produced in Asia to date, it has been a monster hit in China, released a la Kill Bill in two parts.

The battle sequences are absolutely amazing. Soldiers march in formations with shields interlocked to protect from arrows which rain down from the sky in a downpour of death. Fire is used in spectacular fashion, rolling across ships and men in waves. Visually, this is eye candy of the highest order.

The friendship of Zhou Yu and Zhuge Liang are at the center of the story and Kaneshiro and Leung have chemistry that works – call it “bromistry” if you like. They seem to genuinely like each other and that shows onscreen. Chiling makes a marvelous Helen of Troy sort, beautiful, alluring and graceful – I can see where Cao Cao might invade for her sake (as is implied).

Western audiences may have difficulty keeping all the characters straight – there are a whole lot of them and their names can be similar. Woo says he based the movie on the more historically accurate “Records of Three Kingdoms” (a document written in the 3rd century chronicling events beginning with the battle) rather than the popular 14th century Chinese novel “Romance of the Three Kingdoms” which is more familiar to the Chinese people and helped make the battle a major part of Chinese folklore, not unlike how Homer’s “Odyssey” did the same for the siege of Troy in the West.

The Western release was culled down from nearly four and a half hours of the two Chinese volumes into a two and a half hour epic. I started to get restless with about 20 minutes to go in the movie; it is a little long trying to set the stage for the events but quite frankly once it gets into the battle scenes (which are wall to wall starting with the second act), the movie hums along at a blistering pace.

Those who miss movies like Ben-Hur and Lawrence of Arabia will be sated with this. Beautifully shot with the Chinese eye for gracefulness and color, the movie appeals on a great many levels. There are some very humorous sequences (such as Zhuge Liang’s ingenious method of acquiring arrows) and some romantic ones between Zhou Yu and Xiao Qiao. Still, this is the kind of movie that will thrill you even if you have a distaste for subtitles.

REASONS TO GO: This is the kind of epic that is rarely made these days. The battle sequences are nothing short of astonishing and reason enough to see the movie by themselves. Leung and Kaneshiro make appealing leads.

REASONS TO STAY: It can be difficult to tell one character apart from another given Western unfamiliarity with Chinese names and the fairly large set of major characters. The movie is about 20 minutes too long.

FAMILY VALUES: There’s a good deal of battlefield bloodiness.

TRIVIAL PURSUIT: The Chinese Army lent over 100,000 soldiers to work as extras in the battle scenes.

HOME OR THEATER: While this might be hard to find in theaters, do seek it out – given the epic scale it deserves the presentation that a big screen affords.

FINAL RATING: 8/10

TOMORROW: Invictus