Think twice before hanging out with Shia LaBeouf; there are a lot of angry film critics out there.
(2011) Science Fiction (Paramount) Shia LaBeouf, Josh Duhamel, Rosie Huntington-Whiteley, Patrick Dempsey, Frances McDormand, John Turturro, Alan Tudyk, Kevin Dunn, Julie White, John Malkovich, Ken Jeong, Leonard Nimoy (voice), Tyrese Gibson, Buzz Aldrin, Elya Baskin, Peter Cullen (voice), Hugo Weaving (voice), Robert Foxworth (voice), James Remar (voice). Directed by Michael Bay
Nothing exceeds like excess, and by that criterion Transformers: Dark of the Moon exceeds all expectations.
Sam Witwicky (LaBeouf) has saved the world – twice – and all he’s got to show for it is a lousy Ivy League education. He longs to make a difference once again but he can’t get any sort of job and has to settle for living on the largesse of his new girlfriend Carly (Huntington-Whiteley), a former British consulate employee now working as an assistant to billionaire Dylan (Dempsey).
To make matters worse, the unemployed Sam is being visited by his judgmental parents Ron (Dunn) and Judy (White). However, Sam manages to get a job in the mail room of a defense contractor run by the somewhat eccentric Bruce Brazos (Malkovich).
Sam would much rather be working with the Autobots in NEST, but the government wants him far away from Optimus Prime (Cullen) as he can be. Lennox (Duhamel) is nominally in charge of the Autobots who are helping the American government putting out small fires around the world; taking out an illegal Iranian nuclear plant and investigating a strange occurrence at Chernobyl, where Lennox discovers Autobot technology may have been responsible for the disaster there.
Optimus demands an explanation and finally supercilious CIA chief Mearing (McDormand) gives him one. Apparently, near the end of the civil war that drove the Autobots from Cybertron, an Autobot ship escaped from the planet carrying a secret weapon as well as its designer, Sentinel Prime (Nimoy), the leader of the Autobots before Optimus. That ship crash landed on our moon, prompting the space race of the 1960s.
The Autobots rocket up to the moon and retrieve both Sentinel and the remains of the weapon. As they return, Megatron (Weaving), brooding in the desert after two defeats at the hands of Optimus and Sam Witwicky, puts into motion an evil plan that involves murder, betrayal and plenty of nasty robots coming after Sam and his new girlfriend. The stakes are high as the entire human race could end up as slave labor in the New World Order as envisioned by Megatron – and the Earth itself a desiccated, dried-out husk as her resources are used in the insane rebuilding of Cybertron. Once again, Sam and Optimus must lead the allied human-Autobot forces if both races are to survive.
My son has said that the reason you go to a Transformers movie is to watch robots beating each other up, and he has a point. If that’s why you’re plunking down ten bucks plus to see the movie, you won’t be disappointed. Once the battle starts in earnest, which is about halfway through the nearly two and a half hour movie, it doesn’t let up. The robots just about level Chicago and it is done realistically and spectacularly.
In fact, it’s done so well there seems to be no reason for human participation at all. The first half of the movie is somewhat slow and talky, and the humans are no match in the slightest to the giant robots of Cybertron. It is very much like watching a movie about, say, the Battle of the Bulge from the point of view of an ant colony. All the humans really have to do is dodge falling debris and be blown up by robot plasma shots; when one of the lead characters looks like they’re about to buy it, an Autobot comes out of nowhere to save the day (usually Optimus).
In fact, once the battle starts, LaBeouf has very little to do other than look concerned for his girlfriend, and occasionally shout “OPTI-MUUUUUUUUUUS!!!!” and he does both pretty well. His twitchy persona fits right in with the Witwicky character and although he’s the focus for the first half of the movie, it does break down during the first hour or so as we watch Sam mostly feeling inadequate and sorry for himself. It gets old.
Other than that, Bay did upgrade the supporting cast some, adding McDormand and Malkovich, Oscar nominees both, to the cast and both of the veteran actors deliver, as does Turturro in the returning role of Simmons, the paranoid agent (who is now a bestselling author) as comedy relief. Alan Tudyk, who impressed so much on the “Firefly” series, gets a meaty role as a fey German assistant to Simmons with his own set of skills. He makes the best use of his limited screen time.
As far as adolescent chubby-inducement, Megan Fox is out and former Victoria’s Secret model Huntington-Whiteley is in, making her feature acting debut. Fox was never known for her acting skills but she at least has some; Huntington-Whiteley is there mainly to wear tight dresses, have the camera almost see up her skirt and be put in jeopardy so Sam can rescue her. At least Megan Fox’s character wasn’t nearly as useless.
Transformer fans can rejoice; this is easily the most spectacular movie of the series and for non-fans, this is the best of the lot. Check your brain at the door, get the extra-large tub of popcorn and soda, and bliss out in a dark theater for awhile. This is pure popcorn spectacle on a massive scale and the plot is merely window dressing to the special effects. That’s not always a bad thing.
REASONS TO GO: Lots of robots battling for those who like that kind of thing. Easily the most spectacular film of the series.
REASONS TO STAY: The beginning of the movie lags a bit. The human characters are stiffer than the robots. Humans no match for aliens whatsoever.
FAMILY VALUES: There’s a good deal of mayhem and a few bad words, but it’s the scenes of destruction and robot death that might be a bit much for tykes.
TRIVIAL PURSUIT: Leonard Nimoy, voicing Sentinel Prime, utters the line “The needs of the many outweigh the needs of the few” in homage to a line spoken by Nimoy as Spock in Star Trek II: The Wrath of Khan.
HOME OR THEATER: The spectacle demands the big movie theater screen.
FINAL RATING: 6/10
TOMORROW: OSS 117: Cairo, Nest of Spies