New Releases for the Week of July 15, 2016


GhostbustersGHOSTBUSTERS

(Columbia) Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Charles Dance, Andy Garcia, Cecily Strong. Directed by Paul Feig

Four women with different skills – an engineer, a physicist, a paranormal investigator and a subway token taker who knows New York City like the back of her hand – come together to fight a supernatural threat that menaces the Big Apple. This is a reboot of the 1984 classic which has been a bit controversial in the fanboy community because they are using an all-female team. Most of the original cast makes cameo appearances.

See the trailer, clips and featurettes here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Horror Comedy
Now Playing: Wide Release

Rating: PG-13 (for supernatural action and some crude humor)

The Infiltrator

(Broad Green) Bryan Cranston, Diane Krueger, Benjamin Bratt, John Leguizamo. The true story of DEA agent Robert Mazur who went undercover in Pablo Escobar’s organization and ended up masterminding the biggest drug bust in U.S. history. Along with his team, Mazur is risking his family and his very life to take down one of the biggest drug kingpins in the world.

See the trailer, interviews, a featurette, a clip and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for strong violence, language throughout, some sexual content and drug material)

Undrafted

(Vertical) Tyler Hoechlin, Aaron Tveit, Chace Crawford, James Belushi. It was just a summer intramural baseball game, and for this bunch of misfit players who have not much of a future in the sport, it shouldn’t have been anything more than that. Unpredictably, it becomes the most important game of their lives.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sports Comedy
Now Playing: AMC Loew’s Universal Cineplex

Rating: NR

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New Releases for the Week of May 9, 2014


NeighborsNEIGHBORS

(Universal) Seth Rogen, Zac Efron, Rose Byrne, Dave Franco, Christopher Mintz-Plasse, Jerrod Carmichael, Lisa Kudrow, Craig Roberts. Directed by Nicholas Stoller

A young couple think they have the ideal life; good jobs, a new baby, a nice house in a quiet neighborhood. When they get new neighbors, it’s just another blessing. Unfortunately, when your new neighbor is a frat house, the neighborhood will be anything but quiet. Get ready to have some stereotypes about fraternities reinforced.

See the trailer, clips, interviews, premiere footage, a featurette and a promo here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Comedy

Rating: R (for pervasive language, strong crude and sexual content, graphic nudity, and drug use throughout)

Devil’s Knot

(RLJ/Image) Reese Witherspoon, Colin Firth, Dane DeHaan, Mireille Enos.The small Arkansas town of West Memphis was rocked to its core when three eight year old boys turned up brutally murdered. When three teenage boys, outsiders and misfits all, were charged and eventually convicted for the crime which the authorities maintained had Satanic overtones, the community was deeply split. It would eventually become a cause célèbrearound the country when the investigation by the West Memphis police and the conduct of the prosecution were called into question. This is a semi-fictionalized version of the case from renowned Canadian director Atom Egoyan.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: True Life Drama

Rating: NR

Fading Gigolo

(Millennium) John Turturro, Woody Allen, Liev Schreiber, Sofia Vergara. When his good friend Murray’s money problems turn dire, Fiorvante determines to help his friend as best he can but with no real cash reserves of his own, he’ll have to think of something outside the box. When Murray figures out that Fiorvante has the magic touch when it comes to the ladies, he hits upon an unlikely plan.

See the trailer, clips and interviews here.

For more on the movie this is the website.

Release formats: Standard

Genre: Comedy

Rating: R (for some sexual content, language and brief nudity)

The Final Member

(Drafthouse) Sigrour Hjartason, Pall Arason, Tom Mitchell, Hannes Blondal.In a tiny village in Iceland there is a museum dedicated to the penis. In it are preserved specimens of nearly every animal that has one save one – humans. Two men – one an Icelandic adventurer and the other an eccentric American, race to be the donors of the human member to the collection. A recent favorite at the Florida Film Festival.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Documentary

Rating: R (for language and some sexuality/nudity)

Kochadaiiyaan

(Eros International) Starring the voices of Rajnikant, Deepika Padukone, Sarath Kumar, Jackie Shroff.Two brothers face each other in a battle of good and evil on an epic canvas of magic and India’s colorful history. The first Indian film to utilize photorealistic animation based on motion capture technology.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard

Genre: Animated Feature

Rating: NR

Legends of Oz: Dorothy’s Return

(Clarius) Starring the voices of Lea Michele, Dan Aykroyd, Martin Short, James Belushi. After waking up in Kansas, Dorothy Gale is whisked back to Oz where she discovers that her old friends the Scarecrow, the Tin Man, the Cowardly Lion and Glinda the Good Witch of the North have been kidnapped and are being held prisoner by the nefarious Jester. With new friends to help her, Dorothy sets out to free her friends and set things right in Oz.

See the trailer here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Animated Feature

Rating: PG (for some scary images and mild peril)

Moms’ Night Out

(TriStar) Sarah Drew, Sean Astin, Patricia Heaton, Trace Adkins. Three moms, in desperate need of a break from taking care of the kids, put the dads in charge, get dressed up to the nines and set out to have a nice, quiet dinner, some adult conversation and maybe a little bit of fun. Of course, things go south in a hurry, both at home with the dads and with the moms. Who knew that going out for a bite to eat would cause so much chaos?

See the trailer and a clip here.

For more on the movie this is the website.

Release formats: Standard (opens Thursday)

Genre: Comedy

Rating: PG (for mild thematic elements and some action)

New Year’s Eve


New Year's Eve

Josh Duhamel prepares to raise a toast to handsome men

(2011) Romantic Comedy (New Line) Hilary Swank, Robert De Niro, Josh Duhamel, Michelle Pfeiffer, Sarah Jessica Parker, Katherine Heigl, Zac Efron, Jon Bon Jovi, Sofia Vergara, Abigail Breslin, Jessica Biel, Ashton Kutcher, Halle Berry, Cary Elwes, Seth Meyers, Til Schweiger, Carla Gugino, Sarah Paulson, Lea Michelle, Common, Chris “Ludacris” Bridges, Larry Miller, Penny Marshall, Matthew Broderick, Alyssa Milano, Hector Elizondo, Jack McGee, Yeardley Smith, James Belushi, Ryan Seacrest, John Lithgow. Directed by Garry Marshall

 

Garry Marshall is perhaps the pre-eminent director of romantic comedies working today with such classics as Pretty Woman to his credit. Recently he directed the holiday-themed ensemble piece Valentine’s Day which had considerable box office success. Could he match that with a second holiday?

Ingrid (Pfeiffer) is an assistant working for a completely oblivious executive (Lithgow) at a major record label in New York. She is sad, depressed and lonely and tired of being taken for granted, quits her job, taking with her four tickets to the company’s coveted New Year’s Eve bash at a local art gallery. She has a whole list of unfulfilled new year’s resolutions from the previous year. She enlists Paul (Efron), a courier, to help her fulfill them before midnight. If he does, the tickets to the party are his.

That party is being catered by Laura (Heigl), who until a year ago was the girlfriend of rock superstar Jensen (Bon Jovi, cast against type). It was on New Year’s Eve last year that Jensen bolted on Laura after proposing to her. He’s regretting his decision and wants to get back with her but she’s having none of it. Waiting in the wings is Ava (Vergara), Laura’s hot-blooded sexy Latin sous chef.

Sam (Duhamel) is attending a wedding in Connecticut but on the way back to New York to give a speech at a New Year’s party his car skids into a tree. He hitches a ride back to town with the parson who officiated the wedding, his wife (Smith) and grandfather (McGee). As they crawl through traffic back to the city, he recounts how he met a fascinating woman at the same party last year and is hoping he’ll run into her again.

Randy (Kutcher) is a bit of a cynic who hates New Year’s eve. He gets stuck in an elevator with his comely neighbor Elise (Michelle) who hopes her gig as a back-up singer for Jensen at his Times Square appearance might lead to a big break for her. The two are however stuck and it appears that it is going to be a pretty sad last day of 2011 for the both of them.

Kim (Parker) is a single mom who wants nothing more than to spend New Year’s eve with her daughter Hailey (Breslin). Hailey however wants to head to Times Square where a boy is waiting to bestow her first kiss on her. Kim doesn’t want her to go so in time-honored tradition Hailey runs off anyway and Kim frantically looks for her.

Expectant couples the Schwabs (Schweiger, Paulson) and the Byrnes (Biel, Meyers) bid to be the couple with the first baby of the New Year, which carries with it a $25,000 prize. It’s on as the highly competitive fathers look to figure out ways to hurry along their wives’ delivery, much to the disgust of the Byrnes’ New Age doctor (Gugino).

In the same hospital, Stan (De Niro) waits quietly to die, having refused treatment. The end is near and while the doctor (Elwes) can only make him comfortable, Stan is hoping to see the ball drop in Times Square from the rooftop, which the doctor says is against hospital policy. Nurse Aimee (Berry) stays by his side, not wanting the old man to die alone as he fights to make it to midnight.

However, the ball is in danger of not dropping. Claire (Swank) is in charge and feels the entire weight of the world on her shoulders. An electronic snafu has the ball stuck halfway up the pole. With her police officer friend Brendan (Ludacris) calming her down, she sends for super electrician Kominsky (Elizondo) to save the day and indeed, New Year’s Eve. Can there be a new year if the ball doesn’t drop?

As you can tell, there are a whole lot of plot threads to keep track of here. Marshall however keeps them all relatively easy to follow. This is very much an “old fashioned’ kind of romantic comedy and that’s meant in a good way; it doesn’t necessarily follow the same tired formula nearly every romantic comedy employs these days. There are big points for this.

Those who like star watching will be in hog heaven here. There are tons of cameos (as you can tell from the impressive list above), several of whom have no more than one or two lines of dialogue. Some of it is stunt casting but for the most part, all of the performers are pros and go about their business competently. There are even some Oscar winners who get a chance to slum a little bit.

As in any ensemble piece, there are some bits that work and others not so much. De Niro does some good work (as you knew he would) and paired up with Berry the two make a winning combination. Pfeiffer and Efron are surprisingly pleasant together, and Duhamel is as appealing a romantic lead as there is in Hollywood at the moment. There are plenty of moments that stretch disbelief to its limits (as when Breslin bares her bra in a crowded subway station, exclaiming “This isn’t a training bra” at which Parker rushes to cover her daughter up, squealing “This isn’t Girls Gone Wild” in a smarmy sit com-y voice. Does anybody do that?), in fact too many.

However, that’s really moot, honestly. This is meant to be fluff entertainment, cotton candy for the soul. It has no aspirations other than to entertain and even that it does gently. Not every movie, as I’ve often said, has to be a transformative experience. Sometimes it’s enough merely to sit back and forget your troubles for an hour and a half or two. That’s ambition enough for me.

REASONS TO GO: Star watching always fun. Some of the stories are heart-warming and tender.

REASONS TO STAY: Vignettes vary in originality and quality.

FAMILY VALUES: There are a few bad words and some sexual references.

TRIVIAL PURSUIT: Hector Elizondo has appeared in every movie Garry Marshall has ever made.

HOME OR THEATER: This many stars should be seen in a theater.

FINAL RATING: 6/10

TOMORROW: Young Goethe in Love

The Ghost Writer


The Ghost Writer

A day at the office is no day at the beach for Ewan McGregor.

(2010) Thriller (Summit) Ewan McGregor, Pierce Brosnan, Kim Cattrall, Olivia Williams, Tom Wilkinson, Timothy Hutton, Eli Wallach, Robert Pugh, Desiree Erasmus, Daniel Sutton, Marianne Graffam, James Belushi, Kate Copeland. Directed by Roman Polanski

Politics make strange bedfellows with just about everything but particularly with art. Although we have an affinity for topical movies, political thrillers are often about as empty and soulless as…as…a politician.

The Ghost (McGregor) – who is never identified by name in the movie nor in the book that it is based on – is a talented and ambitious sort who has been waiting, none too patiently, for a plum job, the one that will get his career in gear. He finally gets it – former British Prime Minister Robert Lang (Brosnan) wants his memoirs ghosted. It seems that the old friend of Lang’s who had previously been working on the assignment had washed up on the beach, a victim of suicide or accidental drowning.

The Ghost ventures out to Martha’s Vineyard to Lang’s bunker-like complex which is in siege mode. Lang has been accused by one of his former ministers of being complicit of allowing prisoners to be tortured during an armed conflict begun during his regime. Obviously this makes the new book even more potentially lucrative and the Ghost is under pressure to finish the manuscript quickly.

Things are a bit strange though in the compound. Lang’s high-strung wife Ruth (Williams) is coming on to the Ghost, fully aware of the long-time affair her husband has been having with his assistant Amelia Bly (Cattrall). The original manuscript the Ghost has been hired to clean up and re-edit is under lock and key and may not be taken out of the office where the Ghost has been assigned to work.

And work he does, diligently. He soon discovers some contradictions and outright falsehoods in the manuscript. As he digs deeper to discover the truth, he finds out the shady dealings between Lang and a company called Hatherton. He also discovers some secrets that some would kill to make sure they remained secret. Now it’s not just a battle to meet a deadline; the Ghost must figure out a way to stay alive altogether.

Polanski is one of the best of his generation and creating an effective thriller. Chinatown and Rosemary’s Baby are just two examples of classic Polanski thrillers. This one, completed when Polanski was 76 years old, shows he hasn’t lost his touch. While it isn’t to the level of those just mentioned, it’s as good as any released by more contemporary directors.

Polanski manages to gather a strong cast around him. McGregor is a fine everyman hero, and while he seems far more passive-aggressive than the standard movie hero, he nonetheless is charming enough to carry his end of the water pole. The end carried by Brosnan, however, is much stronger. Brosnan who has mostly done affable and elegant action hero types (a la “Remington Steel”, James Bond and Thomas Crown) delivers one of his better performances ever here. He is both sinister and snake-like, clapping you on the back one moment and stabbing you in it the next. That dichotomy of charm and ruthlessness makes the character as fascinating a political figure as has ever been on the silver screen.

They are surrounded by a strong cast, including Hutton as the Ghost’s hyperactive agent and Wilkinson, an old classmate of Lang’s who knows far more about his chicanery than he lets on. Wilkinson in fact has few scenes but is in definite control of your attention whenever he’s on.

There are some twists and turns here. That is par for the course for a thriller, but few are telegraphed and none stretch the believability quotient. What Polanski does better than most directors is establish a mood, and he does so brilliantly here, making even characters seen in passing seem menacing and up to no good.

The movie didn’t do very well at the box office (see below), mostly due to Polanski’s arrest on a 34-year-old statutory rape charge and his subsequent fight to prevent extradition. I would imagine a number of movie-goers who might have ordinarily flocked to see this stayed away because of an unwillingness to support a rapist. I can understand the sentiment certainly but this isn’t a review of Mr. Polanski’s life but of a single film he created.

Political thrillers are hard to accomplish, particularly when they are as topical as this one is (the characters are extremely similar to former British Prime Minister Tony Blair, with other characters and entities – such as Hatherton substituting for Halliburton  – also carrying some similarities to people and things in the news). There is always the chance that in a very few years this will seem dated. However the movie is so well-crafted that long after the people and events that inspired it are forgotten, The Ghost Writer will hold up as a well-crafted, well-acted and well-written thriller.

WHY RENT THIS: Impressively tense. Fine performances from most of the cast but particularly from McGregor and Wilkinson.

WHY RENT SOMETHING ELSE: The payoff is a bit anti-climactic.

FAMILY VALUES: Some rough language, a bit of violence, a bit of sexuality and a smidgeon of nudity and a drug reference.

TRIVIAL PURSUIT: Although primarily set in the United States, Polanski was unable to film here due to his legal issues. Most of the movie was filmed in Europe except for a few second unit shots.

NOTABLE DVD EXTRAS: None listed.

BOX OFFICE PERFORMANCE: $60.2M on a $45M production budget; the movie lost money.

FINAL RATING: 7/10

TOMORROW: Buck