Fantastic Beasts: The Crimes of Grindelwald


An expanding family portrait.

(2018) Fantasy (Warner Brothers) Eddie Redmayne, Johnny Depp, Dan Fogler, Zoë Kravitz, Ezra Miller, Alison Sudol, Katherine Waterston, Jude Law, Callum Turner, Claudia Kim, David Wilmot, Brontis Jodorowsky, Jessica Williams, Hugh Quarshie, Isaura Barbé-Brown, Victoria Yeates, Ólafur Darri Ólafsson, Ingvar Sigurdsson, Derek Riddell, Poppy Corby-Tuech. Directed by David Yates

 

The Harry Potter franchise has been nothing short of a cash cow for Warner Brothers. After Harry’s adventures came to an end, we looked forward with some eagerness to the adventures of New Scamander in a prequel of sorts. When Fantastic Beasts and Where to Find Them became the expected massive hit, the proposed trilogy was expanded into a five-film series.

Heavy on exposition, the second film in the series has turned out to be a bloated mess. The evil wizard Grindelwald (Depp) has escaped from captivity and looks to continue his quest to amass an army to take over the world and rule all muggles. He has seen a vision of the future and it includes a mushroom cloud, so one can hardly blame him there – we muggles certainly made a hash of things.

Newt Scamander (Redmayne) would rather continue to gather magical beasts from around the world but he is under a travel ban until his old teacher Albus Dumbledore (Law) gives him a new quest – to find Creedence (Miller), the emotionally abused young man from the first film. It turns out that the Ministry of Magic is also after him. And so is Grindelwald. Newt, aided by the woman he loves, American auror Tina Goldstein (Waterston), her ditzy sister Queenie (Sudol) and Queenie’s boyfriend (as well as Newt’s buddy from the first film) Jacob the Baker (Fogler) will have to step lively if they are to find the elusive Creedence, who is searching for his past so he may discover truly who and what he is. He is, for all intents and purposes, the crux of the show.

The tone is distinctly darker here, as most second films of fantasy series’ are. J.K. Rowling’s world-building skills are beyond reproach but I get the sense she was trying to accomplish too much with this film; in addition to the main characters from the first film there are also plenty of new ones running around, so much so that it becomes difficult to determine who’s who and what’s what. The movie gets bogged down in plot exposition and character development, eschewing action a little bit too much.

The special effects are wondrous, of course, as you would expect. There are plenty of amazing creature effects here, both CGI and practical. The cast does it’s level best but I got the sense that they, too, were confused by what was going on behind them. The third film, after the disappointing reviews and box office of this film, is being retooled but hopefully it will right the course for the series which has made a most definite misstep.

REASONS TO SEE: The beasties continue to be nifty.
REASONS TO AVOID: Underwhelming performances and plot.
FAMILY VALUES: There is some brief violence.
TRIVIAL PURSUIT:  Newt Scamander’s basement, where he keeps his beasts, was inspired by an M.C. Escher print (Relativity).
BEYOND THE THEATERS: Amazon, AMC On Demand, AppleTV, Fandango Now, Google Play, HBO Now, Microsoft, Redbox, Vudu, YouTube
CRITICAL MASS: As of 4/8/20: Rotten Tomatoes: 36% positive reviews, Metacritic: 52/100
COMPARISON SHOPPING: Eragon
FINAL RATING: 6/10
NEXT:
Mowgli

New Releases for the Week of December 14, 2018


SPIDER-MAN: INTO THE SPIDERVERSE

(Columbia) Starring the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Lily Tomlin, Nicolas Cage, Zoë Kravitz, Liev Schreiber. Directed by Bob Perischetti, Peter Ramsey and Rodney Rothman

Brooklyn teen Miles Morales is the Spider-Man of his dimension. He’s new to the job but shows a lot of promise. However, a threat to all of reality brings different Spideys from a variety of dimensions to face down the threat in this first feature-length animated film from Marvel to hit theaters.

See the trailer, clips, interviews and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, IMAX 3D, RPX, RPX 3D, XD, XD 3D
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for frenetic sequences of animated action violence, thematic elements, and mild language)

Mortal Engines

(Universal) Hugo Weaving, Hera Hilmar, Robert Sheehan, Jihae. Based on a series of young adult books, this introductory film to what Universal hopes will be a major franchise for them picks up after a cataclysmic event has decimated the Earth. Cities have become mobile, scavenging for dwindling resources and London is the most predatory of all of them. A mysterious girl whose memory of her mother may unlock the key to her survival, joins forces with a dangerous outlaw, a defector from London and a brave young man to stop the ambitions of the mad Thaddeus Valentine.

See the trailer, clips, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, Dolby, IMAX, IMAX 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of futuristic violence and action)

The Mule

(Warner Brothers) Clint Eastwood, Laurence Fishburne, Michael Peña, Dianne Wiest. An old man, broke and alone and facing nearly insurmountable financial problems, takes a job driving a load of cargo. What he doesn’t know is that he’s inadvertently become a mule for a vicious Mexican cartel. He does so well that he gets more and bigger cargoes until he finds himself on the radar of the DEA.. He must also face the mistakes of his past before his present deeds catch up to him.

See the trailer and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: R (for language throughout and brief sexuality/nudity)

Once Upon a Deadpool

(20th Century Fox) Ryan Reynolds, Josh Brolin, Morena Baccarin, Fred Savage. Essentially, this is Deadpool 2 re-cut to a PG-13 version with all the naughty bits edited out and some new footage edited in.

See the trailer and stuff (mostly for Deadpool 2) here
For more on the movie this is the website

Release Formats: Standard
Genre: Superhero Comedy
Now Playing: Wide Release (Kinda)

Rating: PG-13 (for intense sequences of violence and action, crude sexual content, language, thematic elements and brief drug material)

Vox Lux

(NEON) Natalie Portman, Jude Law, Willem Dafoe (voice), Jennifer Ehle. America at the beginning of the 21st century is seen through the eyes of a jaded pop star. This festival favorite is just now making its way into local theaters – with a whole lot of buzz over Portman’s performance.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Oviedo Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language, some strong violence, and drug content)

ALSO OPENING IN ORLANDO/DAYTONA:

Antidote
Backtrace
DriverX
ROMA

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Anna and the Apocalypse
Backtrace
Becoming Astrid
Natacha
Odiyan
ROMA
Shoplifters

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Hushaaru
Odiyan

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Burning
Hushaaru
Odiyan
ROMA
Science Fair

SCHEDULED FOR REVIEW:

DriverX
Mortal Engine
The Mule
ROMA
Spider-Man: Into the Spiderverse
Vox Lux

New Releases for the Week of November 16, 2018


FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD

(Warner Brothers) Eddie Redmayne, Johnny Depp, Jude Law, Katherine Waterston, Ezra Miller, Dan Fogler, Zoë Kravitz, Carmen Ejogo. Directed by David Yates

When outlaw wizard Grindelwald escapes custody, he plans to create an army of wizards to make war on the world of Muggles. Standing in his way are Newt Scamander, No-Mag Jacob Kowalsky, Tina Goldstein and an instructor at Hogwart’s by the name of Albus Dumbledore.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, DBOX, DBOX 3D, Dolby, IMAX, RPX, RPX 3D, XD
Genre: Fantasy
Now Playing: Wide Release

Rating: PG-13 (for some sequences of fantasy action)

A Private War

(Aviron) Rosamund Pike, Tom Hollander, Jamie Dornan, Stanley Tucci. This is the story of Marie Colvin, one of the most respected and admired war correspondents of the 21st century thus far, a woman whose compassion and passion entwined to tell the story of those most affected by war – those caught in the middle. Colvin would go to places few other journalists would dare to tread, including a Syrian town called Homs where she would find a story that would eventually define her.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: Wide Release

Rating: R (for disturbing images, language throughout, and brief sexuality/nudity)

Boy Erased

(Focus) Lucas Hedges, Nicole Kidman, Russell Crowe, Madelyn Cline. After a Baptist pastor’s son is outed, the community leader in a small conservative town feels that the boy’s only hope of salvation is conversion therapy. Based on a gripping true story, the young man fights to establish his own identity in an environment where he’s told that being the person that he is becoming is a sin.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: True Life Drama
Now Playing: AMC Altamonte Springs, Cinemark Artegon Marketplace, Cobb Plaza Cinema Café, Regal Winter Springs Village, Rialto Spanish Springs Square

Rating: R (for sexual content including an assault, some language and brief drug use)

Instant Family

(Paramount) Mark Wahlberg, Rose Byrne, Octavia Spencer, Margo Martindale. A couple, exploring foster care adoption, discovers three siblings that they decide to take on. Going from no children to three without any parenting experience is a daunting task at best but throw in a rebellious 15-year-old girl into the mix and they are in over their heads. This is based on writer-director Sean Anders’ own experiences.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: PG-13 (for thematic elements, sexual material, language and some drug references)

The Public Image is Rotten

(Abramorama) John Lydon, Jah Wobble, Martin Atkins, Lu Edmonds. Johnny Rotten was once the face of punk rock until his band, the Sex Pistols, imploded. Lawsuits and legal chicanery kept him from moving on with his stage name so he adopted the name he was born with and founded Public Image Ltd., a band decidedly different than the one he left. Forty years later it is still a band. This was recently reviewed here on Cinema365 (see link below) and may be the best music documentary you attend this year.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater (Monday only)

Rating: NR

Widows

(20th Century Fox) Viola Davis, Liam Neeson, Michelle Rodriguez, Elizabeth Debicki. When their criminal husbands are killed during a job, their widows are left with the debt their late spouses incurred with people you really don’t want to owe money to. Resolved to get out of the situation, they decide to pull off the heist their husbands couldn’t. This is Oscar winning director Steve McQueen’s first film since his masterwork 12 Years a Slave.

See the trailer, clips, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Crime Drama
Now Playing: Wide Release

Rating: R (for violence, language throughout, and some sexual content/nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Amar Akbar Anthony
The Clovehitch Killer
Speed Kills
Taxiwaala

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

A Sniper’s War
Amar Akbar Anthony
El Angel
The Front Runner
Green Book
Taxiwaala

ALSO OPENING IN TAMPA/ST. PETERSBURG:

55 Steps
Amar Akbar Anthony
The Children Act
Johny Johny Yes Appa
Sarkar
Taxiwaala

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Amar Akbar Anthony
Taxiwaala

SCHEDULED FOR REVIEW:

The Children Act
Fantastic Beasts: The Crimes of Grindlewald
The Front Runner
Green Book
Instant Family
The Public Image is Rotten
Widows

FILM FESTIVALS TAKING PLACE IN FLORIDA:

Fort Lauderdale International Film Festival, Fort Lauderdale

King Arthur: Legend of the Sword


Pulling the sword from the stone was easy; uniting the kingdom was hard.

(2017) Fantasy Action (Warner Brothers) Charlie Hunnam, Jude Law, Eric Bana, Djimon Hounsou, Astrid Bergés-Frisbey, Aidan Gillen, Freddie Fox, Craig McGinlay, Tom Wu, Kingsley Ben-Adir, Neil Maskell, Annabelle Wallis, Geoff Bell, Poppy Delevingne, Millie Brady, Nicola Wren, Wil Coban, Bleu Landau, Jacqui Ainsley, Lorraine Bruce, Georgina Campbell. Directed by Guy Ritchie

 

One of the most enduring legends in Western European history is that of King Arthur. Loosely based on an actual Anglican King shortly after the fall of Rome, he has become associated with all that is good about English royalty; a fair and just ruler, a mighty warrior and a man wise enough to know his own failings, his court at Camelot is widely characterized bittersweetly as a brief and shining moment in history.

King Uther Pendragon (Bana) of England is by all accounts a good and just king but he is overthrown by his ambitious brother Vortigen (Law) who is aided by demonic black magic. Uther is killed but his little son Arthur is saved and whisked off into obscurity. As Vortigen rules with cruelty and fear, Arthur grows up in the streets of London, raised by prostitutes and becoming a petty crime lord and pimp. Vortigen has become increasingly paranoid due to a prophecy that says he will be killed by the true king and his throne taken. There is a sword called Excalibur buried deep in the rock near the king’s castle and by legend only the true king can pull it from its sheath. All men in the kingdom of a certain age are required to have a try at pulling it but only Arthur succeeds.

Rescued by Bedivere (Hounsou), one of his father’s last remaining knights, and a beautiful Mage (Bergés-Frisbey) Arthur undergoes intensive training on how to fight. Arthur is reluctant to help – he wants no part of the sword or the responsibility of kingship but as his friends are attacked and imperiled, Arthur soon realizes that he cannot avoid his destiny. Accepting the power of the sword, he proves to be a nearly unbeatable warrior but Vortigen is vicious and ends up capturing the Mage and the son of one of Arthur’s best friends who has been killed by Vortigen personally. Ordered to surrender or watch his friends be executed, Arthur must become the King he was meant to be if he is to save his friends – and England.

This is certainly not your father’s Arthur. Reimagined by Ritchie who has previously messed with Sherlock Holmes – another British icon – the film is effects-heavy and somewhat darker than Mallory’s better-known version of the English hero. There are some fairly impressive creature effects here although nothing particularly groundbreaking. There are a few liberties taken with the plot – there is an obviously Asian martial arts instructor at Camelot centuries before Marco Polo opened up trade relations. That’s a big whoopsie.

The film is mostly grey in hue which gives a kind of dreary atmosphere. It doesn’t help matters that the battle sequences are mostly shot with handheld cameras which while giving a sense of the chaos of battle also give the audience vertigo. I’ll never understand why directors think that’s artistic; it’s just freaking annoying.

Hunnam has been given some high-profile roles over the past few years and I think he shows his potential most here. He’s not really your typical action hero and that’s a good thing but it can make things a little tough on directors who aren’t used to a screen presence like his. Not every director knows what to do with him. Ritchie does,, however, and that bodes well for Hunnam’s future.

Law has had a good career and does exceptionally well here as the villain. He’s played villainous roles before and seems well-suited to them; as Vortigen he’s as vile a villain as can be which makes for good cinema. A great hero requires a great villain, after all. Sadly Law is sabotaged by a script in which the plot meanders and is often disjointed and confusing. Despite the spectacle and despite some well-staged action sequences, I found some of the film boring which is a cardinal sin for action films.

This was meant to be the first episode in a new shared cinematic universe which was slated for at least six films. The film bombed at the box office so it seems unlikely short of a miraculous life on VOD and home video that the series will continue. There were to be installments concentrating on other Arthurian heroes such as Merlin, Guinevere and Lancelot – none of whom appear in this film – but that ambitious plan seems to be moot at this point. The thing about cinematic universes is that in order for people to want to see the other films in the series they’re first going to have to be wowed and excited by the first film and that simply doesn’t happen here. There are some good cinematic ideas and Law is a terrific villain but there just isn’t enough to make anyone eagerly anticipate the next film in the series.

REASONS TO GO: Hunnam acquits himself with more confidence here. Law makes for a hiss-worthy villain.
REASONS TO STAY: The plot is extremely disjointed. The film suffers from an excess of shaky-cam in the battle sequences.
FAMILY VALUES: There is bloodshed and violence, some sexually suggestive material and a smattering of profanity.
TRIVIAL PURSUIT: Hunnam was introduced to the Arthurian legend by the John Boorman film Excalibur,  a movie he has watched repeatedly over the years.
CRITICAL MASS: As of 8/14/17: Rotten Tomatoes: 28% positive reviews. Metacritic: 41/100.
COMPARISON SHOPPING: King Arthur (2004)
FINAL RATING: 6/10
NEXT: Wakefield

New Releases for the Week of May 12, 2017


KING ARTHUR: LEGEND OF THE SWORD

(Warner Brothers) Charlie Hunnam, Jude Law, Djimon Hounsou, Eric Bana, Aidan Gillen, Freddie Fox, Astrid Bergés-Frisbey, Annabelle Wallis. Directed by Guy Ritchie

A new take on the Arthurian legend from iconoclastic director Guy Ritchie. When Arthur’s father, the King, is murdered his power-mad brother seizes the throne. Arthur is forced to flee and live a life in the alleys and streets of the capital, but all that changes when he pulls a sword from the stone. Now he must face his history and seize his legacy. The trouble is that Arthur isn’t all that eager to do either.

See the trailer, clips, interviews, a promo and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D
Genre: Fantasy Action
Now Playing: Wide Release

Rating: PG-13 (for sequences of violence and action, some suggestive content and brief strong language)

A Quiet Passion

(Music Box) Cynthia Nixon, Jennifer Ehle, Keith Carradine, Duncan Duff. Emily Dickinson is one of the most beloved and acclaimed poets in American history, but few know all that much about the reclusive woman who passed away in 1886. What was she like? What prompted her to write such beautiful poetry? Why did she never marry? Legendary director Terence Davies takes on the story of one of the most revered figures in American literature.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for thematic elements, disturbing images and brief suggestive material)

Absolutely Anything

(Atlas) Simon Pegg, Kate Beckinsale, Robin Williams (voice), Monty Python. A group of eccentric aliens bestow an ordinary man with virtually unlimited power – the ability to make anything he wishes come true. As he struggles to control his power, observed from space by the aliens, he starts to rely more and more heavily on his loyal dog. Now, however, with a beautiful woman literally in the palm of his hands, he finds himself forced to choose between the girl and the dog. The movie is notable as for being the last film in which the late Robin Williams appears (he is the voice of the dog) and as a reunion for the surviving members of Monty Python, whose Terry Jones directed the film.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Comedy
Now Playing: Premiere Fashion Square

Rating: R (for language including sexual references, and brief nudity)

Lowriders

(BH Tilt/Telemundo) Gabriel Chavarria, Demian Bichir, Eva Longoria, Melissa Benoist. East L.A. is a world unto its own. Danny is a talented street artist who has his own goals and dreams; his father and brother are part of the car culture of East LA, fabled Lowriders who have built a street rep over the years. Danny gets caught between their world and his own and must choose between family and future.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs

Rating: PG-13 (for language, some violence, sensuality, thematic elements and brief drug use)

Snatched

(20th Century Fox) Amy Schumer, Goldie Hawn, Wanda Sykes, Joan Cusack. A young woman is getting ready to go on the vacation of a lifetime when her boyfriend abruptly dumps her just before they are due to leave. With her options limited and not wanting to give up her vacation, she reluctantly invites her uptight mom with her. When they are kidnapped, the two polar opposites realize they must work out their differences and lean on each other if they are to escape from their captors.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Comedy
Now Playing: Wide Release

Rating: R (for crude sexual content, brief nudity, and language throughout)

The Wall

(Roadside Attractions/Amazon) Aaron Taylor-Johnson, John Cena, Laith Nakli. Two Marines are investigating a construction crew’s ambush by a sniper. Convinced that the sniper has left the area, they prepare to be evacuated from the area when the sniper, who has patiently out-waited them, opens fire, wounding both of them and pinning one behind a crumbling wall. It becomes a game of cat and mouse as the sniper talks to them over their radios and with food and water running out and no way to communicate with their base to get help, forces the Americans into a desperate act. Doug Liman, who directed The Bourne Identity and Edge of Tomorrow, is the man behind the camera here.

See the trailer and a clip here.
For more on the movie this is the website.

Release Formats: Standard
Genre: War Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Regal Waterford Lakes, Regal Winter Park Village

Rating: R (for language throughout and some war violence)

New Releases for the Week of June 17, 2016


Finding DoryFINDING DORY

(Disney*Pixar) Starring the voices of Ellen DeGeneres, Diane Keaton, Albert Brooks, Ed O’Neill, Eugene Levy, Ty Burrell, Idris Elba, Bill Hader. Directed by Andrew Stanton and Angus MacLane

The sequel to Finding Nemo focuses on the fish with the memory issues, Dory. When she suddenly is able to remember that she has a family, she knows she must go on a quest to find them and her friends all volunteer to help her get there. But who are they? Where could they be in a vast ocean? And where did she learn to speak whale? Every kid you know is going to see this in the next few weeks.

See the trailer, interviews, a promo and a Mother’s Day video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild thematic elements)

Central Intelligence

(New Line) Dwayne Johnson, Kevin Hart, Amy Ryan, Aaron Paul. Back for a high school reunion, a former big man on campus looks back on his glory days with some wistfulness. He’s an accountant now and lives a boring, quiet life. But into his world comes the former bullied fat kid, now a ripped deadly CIA assassin, who claims to be on a major case. But is he telling the truth or is he just psychotic? Either way, the ex-BMOC wants nothing to do with him – but he finds himself sucked into a world of intrigue and action he only could have dreamed about in his youth.

See the trailer, clips and a video feature here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Action Comedy
Now Playing: Wide Release

Rating: PG-13 (for crude and suggestive humor, some nudity, action violence and brief strong language)

The Dark Horse

(Broad Green) Cliff Curtis, James Rolleston, Kirk Torrance, Miriama McDowell. Genesis Potini came out of the slums of New Zealand to become a chess champion. Overcoming the odds and a certifiable genius at the game, he grew up to be an inspiration to his neighborhood and the children of his community, despite having to contend with his own demons.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: R (for language throughout, and some violence)

Genius

(Roadside Attractions) Colin Firth, Jude Law, Nicole Kidman, Laura Linney. It has been said (mostly by writers) that behind every successful writer is a great editor and Max Perkins was the greatest of the great. Discoverer of F. Scott Fitzgerald and Ernest Hemingway, he had a long-time friendship and professional relationship with the enigmatic Thomas Wolfe. This is the story of that often-tumultuous relationship.

See the trailer and clips here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some thematic elements and suggestive content)

High-Rise

(Magnet) Tom Hiddleston, Sienna Miller, Jeremy Irons, Luke Evans. A high rise apartment building becomes the setting for a class war as the upper class tenants of the luxury apartments on the higher floors are set against the middle class tenants on the lower floors. Increasingly frequent power outages and disturbing flaws in the design of the building begin to show up, particularly on the lower floors. Based on a novel by J.G. Ballard, this film played at the Florida Film Festival this past April.

See the trailer, clips and a featurette here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Sci-Fi Thriller
Now Playing: Enzian Theater

Rating: R (for violence, disturbing images, strong sexual content/graphic nudity, language, and some drug use)

Spy


Fish out of water.

Fish out of water.

(2015) Spy Comedy (20th Century Fox) Melissa McCarthy, Jason Statham, Rose Byrne, Jude Law, Bobby Cannavale, Allison Janney, Jessica Chaffin, Miranda Hart, Morena Baccarin, Will Yun Lee, Carlos Ponce, Richard Brake, Raad Rawi, Michael McDonald, Peter Serafinowicz, Nargis Fakhri, 50 Cent, Ben Falcone, Katie Dippold, Jamie Denbo. Directed by Paul Feig

We are, as a moviegoing public, fascinated by spies. Of course, there’s the glamour – playing baccarat in Monte Carlo, wearing designer suits and dresses, using sophisticated gadgets that look like ordinary items, only deadly. Who wouldn’t want that kind of life?

Certainly Susan Cooper (McCarthy) does, to the point that she works for the Central Intelligence Agency. She is this close to getting an assignment in the field, but she winds up being a kind of handler/assistant to debonair field agent Bradley Fine (Law). She’s also quite smitten with the devilishly handsome spy, but he won’t give her a second look. In fact, nobody gives her much respect, not even the deputy chief (Janney) who supervises the team.

Unfortunately, while trying to discover the location of a nuclear bomb that is up for sale to the highest terrorist bidder, things go horribly, terribly awry. It turns out that the bomb seller, Reyna Boyanov (Byrne), has somehow identified every one of the CIA field agents. With a nuclear bomb in play and crippled by the fact that every agent she sends up against the bitchy Boyanov is sure to be spotted, the harried deputy chief is forced to send in someone that Reyna doesn’t know – Susan Cooper is finally getting her chance to be a field agent.

She is aided in her quest by gawky fellow basement dweller Nancy (Hart) and over-the-top touchy-feely Italian agent Aldo (Serafinowicz). She’ll also be hindered by egotistical, braggadocios agent Rick Ford (Statham) who, like about everyone else in the CIA, thinks that Susan doesn’t have a chance out in the field and will only mess things up. Susan, however, has a few surprises in store and is determined to complete her first mission. Will it be however, the last thing she does?

I’ve always blown hot and cold about McCarthy; she shows flashes of comic brilliance but Hollywood seems interested in casting her only as a boorish slob or an overbearing bully. One gets the sense that Hollywood can’t see past her weight, which coincidentally is Susan Cooper’s problem. One person who does see more in McCarthy is Feig, who has been at the helm for her three best performances yet – Bridesmaids, The Heat and now this.

McCarthy has always been adept at physical comedy, although it has often been to her detriment (having to do with her size) but here she outdoes herself. That’s not what makes McCarthy’s performance so memorable though; it’s that she portrays Susan as intelligent, capable and dare I say it, pretty. She turns all of our prejudices about overweight women on their ear, and for that alone one should applaud this movie, and Feig and McCarthy specifically.

What holds this movie back is that the story is really kind of generic spy stuff. We’ve seen the plot in movies and on television many times before. However, it is executed very well  here, with some cool high-tech sets in the CIA and lovely exotic (to American eyes anyway) locations. I would also have liked to see the villains be less bitchy and more evil. A spy movie is only as good as its villain and while Byrne is delicious as Reyna, one doesn’t get the kind of threat from her as one might from Auric Goldfinger, Ernst Blofeld or even Siegfried of KAOS.

Still, McCarthy gets to be James Bond and how cool is that for her? You can tell that she’s having the time of her life in this role, and it translates onto the screen and audiences are picking up on that, judging from the box office and audience test scores. It is said that Fox intended this all along to be a new franchise for them and quite likely it will be and I for one can’t wait for a sequel if McCarthy wants to do one.

REASONS TO GO: Statham plays against type and McCarthy is at her best. Some nifty sets and locations.
REASONS TO STAY: Doesn’t really explore new territory. Villains not villainous enough.
FAMILY VALUES: Foul language, some violence, a little bit of sexual content and a brief scene of nudity.
TRIVIAL PURSUIT: Feig is a huge fan of Jason Statham and wrote the part of Rick Ford specifically for him.
CRITICAL MASS: As of 6/23/15: Rotten Tomatoes: 95% positive reviews. Metacritic: 75/100.
COMPARISON SHOPPING: This Means War
FINAL RATING: 6.5/10
NEXT: The Departed

New Releases for the Week of June 5, 2015


Insidious Chapter IIIINSIDIOUS CHAPTER III

(Gramercy) Dermot Mulroney, Stefanie Scott, Leigh Whannell, Angus Sampson, Lin Shaye, Tate Berney, Michael Reid MacKay, Steve Coulter. Directed by Leigh Whannell

The third installment in the popular horror series is a prequel, focusing on psychic Elise Rainier and her reluctant entry into the spirit world in order to help a family and in particular an innocent teen girl in grave mortal peril from angry spirits from the other side, detailing her first steps into the otherworld known as The Further.

See the trailer, clips, interviews, a featurette and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Horror
Now Playing: Wide Release
Rating: PG-13 (for violence, frightening images, some language and thematic elements)

Barely Lethal

(A24) Hailee Steinfeld, Sophie Turner, Samuel L. Jackson, Jessica Alba. A young girl trained from childhood to be a deadly assassin has already tired of the life and yearns for a more normal adolescence. Determined to leave the life she never asked for, she fakes her own death and enrolls in a suburban high school. Her ex-handler and current nemesis discovers the ruse and sends an operative in to fetch her, which as you can guess the young lady in question isn’t planning to allow, particularly when her new friends and social circle are put in mortal danger.

See the trailer and stream the full movie from Amazon here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Spy Comedy
Now Playing: AMC Lake Square Leesburg
Rating: PG-13 (for sexual material, teen drinking, language, drug references and some action violence)

Entourage

(Warner Brothers) Kevin Connolly, Adrian Grenier, Kevin Dillon, Jeremy Piven.  Vincent Chase, a bona fide movie star surrounded by his friends from when he was young, is living the good life. Ari Gold, agent-turned-studio head who has a movie for his former protégé but Vincent isn’t biting – unless he can direct. The acclaimed HBO series/Hollywood satire hits the big screen in a move that is likely to skewer a few egos that need skewering.

See the trailer, interviews, a promo and fan video here.
For more on the movie this is the website.
Release Formats: Standard (opened Wednesday)
Genre: Comedy
Now Playing: Wide Release
Rating: R (for pervasive language, strong sexual content, nudity and some drug use)

Love and Mercy

(Roadside Attractions) John Cusack, Paul Dano, Paul Giamatti, Elizabeth Banks. Brian Wilson was the genius behind the Beach Boys sound and success. One of the most gifted composers and arrangers of his time, he was beset by demons of an abusive childhood and exacerbated by drug abuse. After a complete mental breakdown, he comes under the care of psychologist Dr. Eugene Landy whose motivations and methods become suspect. Emotionally fragile, he meets a courageous woman who helps him emerge from the darkness and back into his music.

See the trailer, clips and a featurette here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Music Biography
Now Playing: Regal Winter Park Village, AMC Downtown Disney, Cinemark Artegon Marketplace
Rating: PG-13 (for thematic elements, drug content and language)

Saint Laurent

(Sony Classics) Gaspard Ulliel, Jeremie Renier, Louis Garrel, Lea Seydoux. Designer Yves Saint Laurent was one of the iconic figures in fashion during the 60s and 70s. His couture changed the idea of fashion permanently and his ideas reverberate in the industry today; his lifestyle and personal problems kept the tabloids busy. He has been the subject of several films as of late; this is the most recent and features a performance by Ulliel that has been attracting some attention.

See the trailer and clips here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Fashion Biography
Now Playing: Regal Winter Park Village
Rating: R (for graphic nudity/strong sexual situations, substance abuse throughout and some language)

Spy

(20th Century Fox) Melissa McCarthy, Jason Statham, Jude Law, Rose Byrne. A CIA analyst with dreams of field work gets her chance when a ruthless arms dealer threatens world peace and because they are familiar with all of the field agents in the Agency, someone who isn’t known to them must infiltrate their organization and stop a global disaster from occurring.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website.
Release Formats: Standard (opens Thursday)
Genre: Spy Comedy
Now Playing: Wide Release
Rating: R (for language throughout, violence, and some sexual content including brief graphic nudity)

Unfreedom

(Dark Frames) Victor Banerjee, Adil Hussein, Bhanu Uday, Preeti Gupta. In New Delhi, a woman is placed in an arranged marriage that she doesn’t want to undertake because she’s in love with someone else; another woman, in fact. In New York City, a fundamentalist Muslim kidnaps a liberal Muslim scholar who has outspoken views about his religion. All four will come face to face with gruesome acts of violence that will affect their views on religion, sexual identity and family.

See the trailer and stream the full movie from Amazon here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Drama
Now Playing: Fashion Square Premiere Cinema
Rating: NR

Black Sea


Yo ho, yo ho, a pirate's life for me!

Yo ho, yo ho, a pirate’s life for me!

(2014) Adventure (Focus) Jude Law, Scoot McNairy, Tobias Menzies, Ben Mendelsohn, Grigoriy Dobrygin, Karl Davies, Jodie Whittaker, Konstantin Khabenskiy, Bobby Schofield, Daniel Ryan, Branwell Donaghey, Sergey Puskepalis, Paul Terry, Sergey Kolesnikov, Sergey Veksler, Yuri Klimov, David Threlfall, Gus Barry, Paulina Boneva, June Smith. Directed by Kevin Macdonald

For ratcheting up the suspense, few venues rival that of a submarine. A handful of submariners, trapped in a metal tube below the sea where one tiny mistake, one critical bad break can quickly turn things into a bad day for those aboard.

Captain Robinson (Law) has been cashiered for the underwater salvage company he has worked for nearly 20 years, a victim of robotics. As it turns out, sending unmanned drone subs to the bottom is far less dangerous and far more practical – and economical – than sending humans to investigate wrecks. For his service, they give him a parting sum of 8,000 pounds. That’s just over $12,000 U.S. That isn’t a whole lot of gratitude.

Robinson has no family; they left him because he essentially was never home. His ex-wife Chrissy (Whittaker) and his son Martin (Barry) have lives much better than the one he could have provided them. He misses them both terribly.

So he does what any good red-blooded Scottish man would do; he finds the nearest pub and drags a couple of his fellow unemployed mates to drown their sorrows in a pint or six. And then, he hears something interesting from one of his fellow captains (Ryan): that shortly before being terminated, he located the wreck of a World War II Nazi U-Boat in the Black Sea in Georgian waters. That wreck is very likely the one that sank in 1940 carrying an enormous amount of Nazi gold that Hitler had been sending to Stalin to keep his then-ally in the fight. Because of certain geo-political realities, the salvage company hasn’t been given permission to bring the treasure up yet, but if it is what they think it is the prize is worth many millions of dollars.

So Robinson hits on the nutty scheme of salvaging the wreck himself with a crew of others. Daniels (McNairy), an accounting sort who was also let go from the salvage company, thinks that he can get financing from the mysterious Mr. Lewis (Menzies) so that they can rent and refit an old Soviet attack sub and go grab the treasure waiting on the bottom.

Aiding him are some of his mates as well as a few Russian submariners who know how to run the Russian sub; there’s also the son of a friend, Tobin (Schofield) who Robinson takes a fatherly interest in and the unstable Aussie diver Fraser (Mendelsohn) who is like a loaded gun in a crowded room but the best when it comes to salvage.

Taking the rickety boat down to the bottom is dangerous in and of itself but with the Russian fleet above due to the dubious legality of what they’re doing, things are a lot more dicey. What’s worse that as things start to get more real, some of the men begin to crack. They will have to work together just to make it back home, let alone get the gold which if they do find it, well, you can add greed to the equation that no matter how you write it means that not everyone is going to get out of this alive.

This is a reasonably taut and well-made thriller. Law makes for a pretty solid lead here, making Robinson a believable leader that would inspire most anyone to have confidence in him – when he’s not taking insane risks to get all the gold to the surface. Law has been making some interesting choices of late in the roles he’s been choosing, and this is a very good thing. He’s been challenging himself, playing a Cockney safe cracker, a manic Internet blogger, an ethically challenged doctor and an officious Russian military man along with this somewhat angry sub captain with a “Screw the Man” attitude and an access from deepest darkest Aberdeen.

Macdonald, who has directed such fine films as The Last King of Scotland shows he knows how to keep the tension nice and high. Once the sub sets sail, the movie really hits its stride although there are a few too many scenes of sailors sitting around and reminiscing about their lives. I don’t have a problem with character development which these sorts of scenes often provide but it needs to be more concise given the very tense atmosphere. Some of the information that you get about the background of the characters isn’t really germane to the plot and quite frankly, not all of it is all that interesting. We get that sailor A is lonely, or having financial difficulties, or loves the sea. We just don’t need to have a ten minute conversation about it.

There are a lot of twists and turns and while the plot twist isn’t necessarily innovative, it is nonetheless a big game changer and very welcome when it kicks in near the end of the movie. The script is well-written, giving very logical reasons to why certain things happen the way they do without having totally random events occur, or turn the captain into Superman. This is an example of a good sub thriller that is intelligent, well-written and still tense as all get out. This hasn’t gotten a whole lot of attention or support but it is certainly worth checking out. It’s no Das Boot – then again, what is? – but it is a satisfactory new entry into the genre.

REASONS TO GO: Some nice tension. Doesn’t always go the way you expect it will.
REASONS TO STAY: Should have trimmed about 20 minutes. Too many conversations about personal lives that add little value to the plot.
FAMILY VALUES: Lots of foul language, some fairly gruesome images and a bit of violence.
TRIVIAL PURSUIT: The sub used in the film is an authentic Soviet-era submarine which is normally moored in the river Medway in Kent.
CRITICAL MASS: As of 2/10/15: Rotten Tomatoes: 83% positive reviews. Metacritic: 62/100.
COMPARISON SHOPPING: U-571
FINAL RATING: 7.5/10
NEXT: Paddington

Road to Perdition


Road to Perdition(2002) Gangster Drama (DreamWorks) Paul Newman, Tom Hanks, Tyler Hoechlin, Jude Law, Daniel Craig, Stanley Tucci, Jennifer Jason Leigh, Liam Aiken, Dylan Baker, Ciaran Hinds, Daniel Darlow, Maureen Gallagher, Kevin Chamberlin, Doug Spinuzza, Duane Sharp, Diane Dorsey, Harry Groener, James Greene, Peggy Roeder, Lara Phillips, Mina Badie, Heidi Jayne Netzley. Directed by Sam Mendes

Waiting for Oscar

2003 OSCAR NOMINATIONS
Best Supporting Actor – Paul Newman
Best Art Direction/Set Decoration – Dennis Gassner, Nancy Haigh
Best Sound – Scott Millan, Bob Beemer, John Pritchett
Best Sound Editing – Scott Hecker
Best Original Music Score – Thomas Newman
WINS – 1
Best Cinematography – Conrad L. Hall

Loyalty is a commodity that is very precious because it is so very, very rare. It’s been that way for a very long time – we are an inconstant species, truly. But then again, the earning of loyalty is a very difficult thing; we don’t give it easily for a reason. And for damn sure we don’t forgive when that loyalty is sundered.

Michael Sullivan (Hanks) is a loving husband and father as 1931 dawns. His son Michael Jr. (Hoechlin) has an unusual relationship with him; the boy worships his father and yet there is a distance between them. Perhaps it’s because his dad does mysterious work for the jovial John Rooney (Newman), who seems to be one of the leading men in town.

But John Rooney is no ordinary businessman; he’s a gangster and Michael Sullivan is his main enforcer, known far and wide as the Angel of Death. Michael Sullivan Jr. doesn’t know this; he thinks his dad is a cop, or a superhero. So he stows away in the trunk of his dad’s car when he and Rooney’s son Connor (Craig) go to visit someone for a talk, and that talk gets out of hand and Connor kills a man in cold blood, forcing Michael to have to clean up the mess. Michael Jr. witnesses this and Connor, not being a trusting sort, decides to kill Michael Jr. and make it look like a random gang hit. Unfortunately, Connor is a bit of a screw-up and manages to kill Michael’s wife Annie (Leigh) and his other son Peter (Aiken).

This puts Rooney and his former enforcer at war and Michael goes on the run with his surviving son. He appeals to Frank Nitti (Tucci) of the Capone outfit in Chicago for justice and peace, but Nitti, not wanting to get in the middle, declines. In fact, Rooney has set the somewhat demented crime photographer/assassin Maguire (Law) on the two who decide to rob John of his ill-gotten gains and then strike out on their own. It is a time of father-son bonding in a wild era, on the run from everyone and beyond the law. But when one is known as the Angel of Death, you know that the Grim Reaper isn’t far away at any given time.

This was Mendes’ first film after his breakout success with American Beauty and Newman’s final on-screen appearance (he would do a voice role in Cars). Both of those events tend to overshadow the overall quality of the movie which was a lot higher than one might have expected.  The movie was based on a graphic novel by noted mystery writer Max Alan Collins and the dark tones and overall feel of that work ported over to the cinematic version nicely.

Hanks went way out of his comfort zone here for a role totally unlike any he has played before or since. While one can relate to his protective father side, the cold and brutal killer that the Angel of Death is completely comes out of left field for Hanks, who has more in common with Jimmy Stewart than Jimmy Cagney. Jude Law also has one of his better performances as the twisted killer and crime photographer who takes crime scene photos of his own crimes.

Newman makes a final performance that is a great one to exit on. His urbane gangster is generous and full of Irish charm on the surface but is as deadly as a snake below. The relationship between him and the Hanks character is spot-on, father-son type stuff which of course makes the real son of the gangster jealous which is part of what drives him to murder the family of Michael Sullivan. This is also a very different role for Craig in his pre-Bond days.

The depression-era Midwest is beautifully captured here and photographed adroitly by legendary cinematographer Conrad Hall, for whom this was his final feature as well (he passed away the following year after doing a short film). There are scenes of a confrontation between Michael Sullivan and John Rooney photographed at night in the rain which are absolutely breathtaking. Even if you’re not partial to gangster flicks, this is one of the best-looking and best-acted I’ve ever seen.

There are those who believe this is a good but not great movie and on that point I have to disagree. I think this will be thought of as a classic in the decades to come when the films of the 90s are discussed. At the end of the day, this is a movie that may be dark in tone but entertains nonetheless. If you haven’t seen it yet, this should be at or near the top of your must-see list.

WHY RENT THIS: Terrific performances throughout, particularly from Hanks, Newman, Law and Tucci. Beautiful cinematography. Recreates the era nicely.
WHY RENT SOMETHING ELSE: More somber than most funerals.
FAMILY VALUES: There’s plenty of violence and a fair amount of foul language.
TRIVIAL PURSUIT: The crime scene photos in Maguire’s apartment are actual crime scene photos from the era, some of which were taken by Arthur “Weegee” Fellig, the notorious photographer whom Maguire’s character was based on.
NOTABLE HOME VIDEO EXTRAS: The DVD edition has very little other than a deleted scene that has Anthony LaPaglia’s performance as Al Capone that was eventually cut from the final version, but the Blu-Ray has two memorable featurettes worth getting – one explores the world of Road to Perdition in both the graphic novel it’s based on and the film, the other a retrospective on cinematographer Conrad Hall whose work helped make this film so memorable.
BOX OFFICE PERFORMANCE: $181.0M on an $80M production budget.
SITES TO SEE: Netflix (DVD/Blu-Ray rental), Amazon (buy/rent), Vudu (not available),  iTunes (buy/rent), Flixster (not available), Target Ticket (not available)
COMPARISON SHOPPING: Billy Bathgate
FINAL RATING: 9/10
NEXT: American Sniper