New Releases for the Week of December 21, 2018


AQUAMAN

(Warner Brothers) Jason Momoa, Amber Heard, Willem Dafoe, Patrick Wilson, Nicole Kidman, Dolph Lundgren, Yahya Abdul-Mateen II, Temeura Morrison. Directed by James Wan

Arthur Curry, the son of a lighthouse keeper, discovers that he is heir to the throne to Atlantis. There are forces aligned against him, however, that want him to stay on land – and who also wish to wage war against the land-dwellers.

See the trailer, clips and video featurettes here
For more on the movie this is the website
Release Formats: Standard, 3D, DBOX, DBOX 3D, DTSX, IMAX, IMAX 3D, RPX, RPX 3D, ScreenX, XD, XD 3D

Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action, and for some language)

Ben is Back

(Roadside Attractions) Julia Roberts, Lucas Hedges, Courtney B. Vance, Kathryn Newton. When her drug addicted teen son from a first marriage returns unexpectedly on Christmas Eve, a mother is at first delighted but cautious. As the evening goes on it becomes apparent that things are not as they seem with him and soon she is dragged unwillingly into his world with the rest of her family dragged in behind her. Look for the review on Cinema365 tomorrow.

See the trailer and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Barnstorm Theater, Regal Oviedo Marketplace, Regal Winter Park Village

Rating: R (for language throughout and some drug use)

Bumblebee

(Paramount) Hailee Steinfeld, Dylan O’Brien (voice), John Cena, Megyn Price. In 1987 a young girl finds the battle-scarred and broken Transformer Bumblebee in the junkyard of a small California town. She soon finds herself in the middle of an interstellar conflict which threatens the very existence of planet Earth itself.

See the trailer clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard, 3D, 4DX, Dolby, RPX, XD, XD 3D
Genre: Science Fiction
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi action violence)

Mary Queen of Scots

(Focus) Saoirse Ronan, Margot Robbie, Guy Pearce, David Tennant. The story of the half-sister of Queen Elizabeth I the two of whom were once close but turned into bitter rivals and eventually, deadly foes.

See the trailer, clips, interviews, video featurettes and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Cinemark Universal Citywalk, Regal Oviedo Marketplace, Regal Pointe Orlando, Regal Waterford Lakes, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some violence and sexuality)

Mary Poppins Returns

(Disney) Emily Blunt, Lin-Manuel Miranda, Ben Whishaw, Emily Mortimer. The Banks children, one of the beneficiaries of the legendary Mary Poppins, have all grown up and have children of their own. Now Mary returns to save the Banks family once more with her heartwarming brand of magic.

See the trailer, interviews and video featurettes here
For more on the movie this is the website
Release Formats: Standard, DBOX, Dolby, RPX
Genre: Family
Now Playing: Wide Release (opened Wednesday)
Rating: PG (for some mild thematic elements and brief action)

Second Act

(STX) Jennifer Lopez, Leah Remini, Vanessa Hudgens, Treat Williams. An ambitious big box retail clerk reinvents her job history and biography and ends up with a golden opportunity to show the Wall Street boys club what a street smart Puerto Rican woman can do.

See the trailer, clips, interviews, a video featurette and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Romantic Comedy
Now Playing: Wide Release

Rating: PG-13 (for some crude sexual references, and language)

Welcome to Marwen

(Universal/DreamWorks) Steve Carell, Leslie Mann, Diane Kruger, Janelle Monáe. A man who was the victim of a brutal beating that cost him his memory, tries to rebuild his shattered life through a make-believe town that he constructs where he can be heroic and strong. This is based on an actual incident.

See the trailer, clips and video featurettes here
For more on the movie this is the website

Release Formats: Standard
Genre: Drama/Fantasy
Now Playing: Wide Release

Rating: PG-13 (for sequences of fantasy violence, some disturbing images, brief suggestive content, thematic material and language)

Zero

(Yash Raj) Shah Rukh Khan, Anushka Sharma, Karina Kaif, Salman Khan. A young man born to wealth and privilege and was content in his life. Then he meets two women who broaden his outlook and give him a purpose he never knew he needed.

See the trailer, promos and a clip here
For more on the movie this is the website

Release Formats: Standard
Genre: Dramedy
Now Playing: AMC West Oaks, Cinemark Universal Citywalk, Touchstar Southchase

Rating: NR

ALSO OPENING IN ORLANDO/DAYTONA:

American Renegades
Antariksham
Burning
KGF Chapter 1
Padi Padi Leche Manasu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Antariksham
KGF Chapter 1
Padi Padi Leche Manasu
Shoah: Four Sisters
Swimming with Men

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Antariksham
KGF Chapter 1
Padi Padi Leche Manasu

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

KGF Chapter 1

SCHEDULED FOR REVIEW:

Aquaman
Ben is Back
Bumblebee
Mary Queen of Scots
Mary Poppins Returns
Swimming with Men
Welcome to Marwen

New Releases for the Week of June 8, 2018


OCEANS 8

(Warner Brothers) Sandra Bullock, Cate Blanchett, Anne Hathaway, Helena Bonham Carter, Rihanna, Mindy Kaling, Elliott Gould, Dakota Fanning, Awkwafina. Directed by Gary Ross

Danny Ocean’s sister is released from jail and looks to prove herself by taking on an Ocean-like heist – robbing the annual Met Gala in New York City. However, she can’t do it alone; she’ll need a team of larcenous ladies. Sound familiar?

See the trailer and video featurettes video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, Dolby, IMAX, RPX, XD
Genre: Heist Action
Now Playing: Wide Release

Rating: PG-13 (for language, drug use, and some suggestive comments)

First Reformed

(A24) Amanda Seyfried, Ethan Hawke, Cedric the Entertainer, Victoria Hill. A priest in a small congregation in upstate New York discovers he’s been sent to close the parish down following a tragedy. Grappling with worldly concerns as well as a tormented past of his own, he struggles to keep his faith in a world where that is increasingly hard to find.

See the trailer and a video featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some disturbing violent images)

Hereditary

(A24) Alex Wolff, Gabriel Byrne, Toni Collette, Milly Shapiro. After the death of a family’s matriarch, they begin to suspect that there are mysteries in their ancestry that might have dire consequences in the here and now. The buzz on this horror film has been HUGE.

See the trailer and video featurettes here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Wide Release

Rating: R (for horror violence, disturbing images, language, drug use and brief graphic nudity)

Hotel Artemis

(Global Road) Jodie Foster, Sterling K. Brown, Sofia Boutella, Jeff Goldblum. In a future Los Angeles that is being torn apart by riots, a Nurse runs a secret members-only emergency room for criminals.

See the trailer, video featurettes and a clip here.
For more on the movie this is the website

Release Formats: Standard
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for violence and language throughout, some sexual references and brief drug use)

On Chesil Beach

(Bleecker Street) Saoirse Ronan, Emily Watson, Anne-Marie Duff, Billy Howle. A young newlywed couple in 1962 England find that their storybook romance is colliding with the reality of changing sexual mores, class pressure and evolving expectations leading to a fateful wedding night.

See the trailer and clips here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Regal Winter Park Village, Rialto Spanish Springs Square

Rating: R (for some sexual content and nudity)

Revenge

(Neon/Shudder) Matilda Lutz, Kevin Janssens, Vincent Colombe, Guillaume Bouchéde. The mistress of a French billionaire accompanies him to his remote hunting cabin in the desert prior to a hunting trip with the boys. When the other hunters arrive early, a party spirals out of control and leaves the woman in a fight for survival where there’s only life and death. This played this year’s Florida Film Festival.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Horror
Now Playing: Enzian Theater

Rating: R (for strong bloody gruesome violence, a rape, sexuality, graphic nudity, drug use and language)

The Seagull

(Sony Classics) Elisabeth Ross, Saoirse Ronan, Annette Bening, Corey Stoll. In the early 20th century, an aging actress and her lover visit the estate of her elderly and infirm brother. This is based on Anton Chekhov’s classic play.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Regal Winter Park Village

Rating: PG-13 (for some mature thematic elements, a scene of violence, drug use, and partial nudity)

ALSO OPENING IN ORLANDO/DAYTONA:

Kaala
Mary Shelley
Sid and Aya
Zoo

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Bernard and Huey
Breath
Filmworker
Kaala
Here Comes Miss Modern
Let the Sunshine In

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Kaala
Let the Sunshine In

ALSO OPENING IN JACKSONVILLE/ST. AUGUSTINE:

Breath
Kaala
Sid and Aya

SCHEDULED FOR REVIEW:

Hereditary
Hotel Artemis
Oceans 8
On Chesil Beach

Lady Bird


There’s always a little love/hate in every mother-daughter relationship.

(2017) Dramedy (A24) Saoirse Ronan, Laurie Metcalf, Beanie Feldstein, Timothée Chalamet, Lucas Hedges, Odeya Rush, Kathryn Newton, Tracy Letts, Lois Smith, Laura Marano, Andy Buckley, Danielle Macdonald, Jordan Rodrigues, Stephen McKinley Henderson, Kristen Cloke, Daniel Zovatto, John Karna, Bayne Gibby, Bob Stephenson, Marielle Scott, Chris Witaske, Suzanne LaChasse.  Directed by Greta Gerwig

 

Adolescence is a difficult period. We all undergo it; we don’t all survive it. We muddle through as best we can as we learn to find out who we are and hopefully, who we want to become. It’s a wonder that any of us live to be 21.

Christine McPherson (Ronan) insists that people call her “Lady Bird.” That isn’t her name; she just likes the sound of it. A high school senior at an all-girls Catholic school in suburban Sacramento, California, she is chafing at the bit to get free of the Great Central Valley and move somewhere sophisticated and cultured i.e. New York. Her mother Marion (Metcalf) would prefer that Lady Bird stay somewhere local, mainly because that’s about all the family can afford. At least Marion can take comfort in that her daughter, who is surprisingly smart, doesn’t really have the grades to get into any schools she really wants to go to.

Lady Bird has a fairly small circle; in addition to her mother with whom she has a contentious relationship, there’s her brother Miguel (Rodrigues) who graduated college but has only been able to find a job bagging groceries and her father Larry (Letts) who is as loving and kind as her mother is critical and demanding. Lady Bird’s bestie Julie Steffans (Feldstein) is, like herself, from the wrong side of the tracks. Julie is, like Lady Bird, on the outside looking in on the popularity scale.

Like most girls her age, Lady Bird is very interested in boys but they mystify her. She doesn’t really know how to act around them or to let them know she likes them. She’s also interested in sex but she wants it on her terms. I think it’s pretty much safe to say that Lady Bird wants to live life in all its aspects on her own terms which at 17 isn’t necessarily an unusual thing. She will explore different aspects of high school life, experience all sorts of different things both good and bad and continue to work towards her goal of going to college in New York, as hopeless a goal as it may seem.

The term “coming of age film” can cover a whole lot of sins but in this case, it is truly apt. We actually see real growth (as opposed to Hollywood growth which is generally unearned) in Lady Bird. Greta Gerwig, riding the director’s chair solo for the first time in her career, does a bang-up job. Although only semi-autobiographical (Gerwig has gone on record that this is more emotionally autobiographical than factually so) there is an air of authenticity to it. If Lady Bird isn’t Gerwig she’s certainly a cousin and that’s not a bad thing.

Ronan and Metcalf both turn in performances that have legitimate shots at Oscar nominations. When mother and daughter are going at it the screen just about crackles with electricity. Marion loves her daughter passionately but doesn’t always express that love in healthy ways. She’s outspoken (like her daughter) and hyper-critical which is definitely not appreciated. Larry does his best to mitigate things but he’s a little intimidated by Marion as well and when he loses his job he clearly begins to doubt himself although that’s an aspect of the story that isn’t explored thoroughly. Then again, it’s not Larry’s story – it’s Lady Bird’s.

In a sense this is also a love letter to Sacramento (where Gerwig grew up and where this is set). Although Lady Bird complains about the provincialness of the city, it’s clear that Gerwig has a great deal of affection for the place. Residents and regular visitors will recognize a lot of different landmarks and local hangouts shown at various times in the film. One can’t complain about a movie with this much love for the capitol of California.

There is a pretty frank portrayal of Lady Bird’s sexuality; she becomes attracted to two different guys during the course of the film and contemplates losing her virginity. The frank discussion of the event is going to feel familiar to most women, although those who find such things distasteful are going to have a difficult time with that particular scene. I suppose it is going to depend on how comfortable you are with sexual discussions.

Gerwig doesn’t get everything right. The ending feels a bit rushed and a little bit of a nonsequitir. Her move from one BFF to another one who is more shallow just so Lady Bird can get closer to a guy she’s interested in comes off as a little bit cliché and maybe a little bit out of character. However, those are relatively minor things and she does for the most part nail the film.

I commented on Facebook that everyone who has ever been an adolescent girl should see this and I stand by that. It is going to resonate deeply with most women who will recognize the situations and the character dynamics. Men are also going to enjoy this because they will also get a chance to laugh at some of the foibles of adolescent girls – and maybe get to understand the women in their lives just a teensy bit better. Sounds like a pretty good deal to me.

REASONS TO GO: The writing is smart and the characters realistic. You have to love a film that gives Sacto this much love.
REASONS TO STAY: The ending feels a little bit rushed.
FAMILY VALUES: There is plenty of profanity, a lot of teen sexuality, some brief nudity and lots of teen partying.
TRIVIAL PURSUIT: Lady Bird recently set a Rotten Tomatoes record for the most positive reviews without a single negative review – 164 consecutive positives and counting.
CRITICAL MASS: As of 11/28/17: Rotten Tomatoes: 100% positive reviews. Metacritic: 94/100.
COMPARISON SHOPPING: Girl Flu
FINAL RATING: 7/10
NEXT:
Gangster Land

New Releases for the Week of November 17, 2017


THE JUSTICE LEAGUE

(Warner Brothers) Ben Affleck, Gal Gadot, Jason Momoa, Ezra Miller, Ray Fisher, Ciaran Hinds, Jesse Eisenberg, Amber Heard, Jeremy Irons, Amy Adams, Connie Nielsen. Directed by Zack Snyder

With Superman no longer in the picture, Earth is facing a threat beyond any it has surmounted up to now. Batman gathers the heroes of Earth – Wonder Woman, Aquaman, The Flash and Cyborg – to stand against the threat of Steppenwolf and his legions but they may not be enough.

See the trailer, interviews, clips, featurettes and B-roll video here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX, DBOX, Dolby, RPX
Genre: Superhero
Now Playing: Wide Release

Rating: PG-13 (for sequences of sci-fi violence and action)

Lady Bird

(A24) Saoirse Ronan, Odeya Rush, Timothée Chalamet, Laurie Metcalf. A spirited and iconoclastic young woman living in Northern California with a mom who doesn’t understand her confronts the obstacles of growing up as she tries to reconcile her own burgeoning sexuality. The director is writer and actress Greta Gerwig.

See the trailer, a clip and a featurette here.
For more on the movie this is the website

Release Formats: Standard
Genre: Comedy
Now Playing: Enzian Theater

Rating: R (for language, sexual content, brief graphic nudity and teen partying)

Sidemen: Long Road to Glory

(Abramorama) Pinetop Perkins, Willie “Big Eyes” Smith, Hubert Sumlin, Marc Maron. Three musicians who helped develop the Chicago blues sound with such legends as Howlin Wolf and Muddy Waters have influenced not only the blues but popular music in general and rock and roll specifically. Late in life, they would win a Grammy on their own. This is their incredible story.

See the trailer here.
For more on the movie this is the website.
Release Formats: Standard
Genre: Musical Documentary
Now Playing: Enzian Theater (Monday only)
Rating: NR

The Star

(Columbia) Starring the voices of Steven Yeun, Kristin Chenoweth, Christopher Plummer, Zachary Levi. The story of the first Christmas as seen through the eyes of the animals who were present.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for some thematic elements)

Wonder

(Lionsgate) Julia Roberts, Owen Wilson, Jacob Tremblay, Mandy Patinkin. A young boy with facial disfigurements attends a mainstream school for the first time. Unsure of himself and self-conscious about his face, he endures bullying but slowly begins to win everyone over in the school with his amazing perseverance and optimistic attitude.

See the trailer, clips, interviews, featurettes and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Drama
Now Playing: Wide Release

Rating: PG (for thematic elements including bullying, and some mild language)

ALSO OPENING IN ORLANDO/DAYTONA:

Cook Off
Frank Serpico
Khakee: The Power of Police
Theeran Adhigaaram Ondru
Tumhari Sulu

ALSO OPENING IN MIAMI/FT. LAUDERDALE:

Aida’s Secrets
Khakee: The Power of Police
Last Flag Flying
Novitiate
Theeran Adhigaaram Ondru
Tragedy Girls
Tumhari Sulu

ALSO OPENING IN TAMPA/ST. PETERSBURG:

Khakee: The Power of Police
Theeran Adhigaaram Ondru

ALSO OPENING IN JACKSONVILLE:

Ghost Bride
Khakee: The Power of Police
Theeran Adhigaaram Ondru

SCHEDULED FOR REVIEW:

Justice League
Lady Bird
Novitiate
Sidemen: Long Road to Glory
Wonder

Loving Vincent


But is it art?

(2017) Animated Feature (Good Deed) Featuring the voices of Douglas Booth, Saoirse Ronan, Helen McCrory, Chris O’Dowd, Robert Gulaczyk, Jerome Flynn, Cezary Lukaszewicz, Eleanor Tomlinson, Aidan Turner, James Green, Bill Thomas, Martin Herdman, Robin Hodges, Josh Burdett, John Sessions, Joe Stuckey, Piotr Pamula, Kamila Dyoubari . Directed by Dorota Kobiela and Hugh Welchman

 

As a painter, Vincent Van Gogh was one of the world’s most influential, creating works that remain iconic to this day – most of us have seen at least pictures of some of his work. As a person, Vincent Van Gogh was an enigma; beset by mental and emotional issues throughout his life (there are some experts who believe he was bipolar) that led to him shooting himself fatally at age 30 in 1890. He remains a mystery to many, producing over 800 paintings in the last 10 years of his life and then abruptly choosing suicide.

Armand Roulin (Booth) is a roustabout, a ne’er do well who is the son of Joseph Roulin (O’Dowd), the postmaster of Arles where Van Gogh lived and a friend to the Dutch painter. Joseph has come into possession of a letter that Vincent (Gulaczyk) wrote to his beloved brother Theo (Pamula) near the end of his life. It is 1891 and Van Gogh has been dead for a year. Joseph has tasked his son with the job of delivering the letter from the late master to his brother in Paris, only when Armand gets there he is unable to locate Theo. He goes to Vincent’s art supply dealer Pere Tanguy (Sessions) who informs him that Theo has followed Vincent into the hereafter. Armand then decides that in lieu of delivering the letter to Theo he will deliver it instead to Theo’s wife Johanna. Tanguy doesn’t know where she is living but suggests contacting Dr. Gachet (Flynn) in Auvers who treated Vincent in the last months of his life and was with him when he died.

Roulin travels to Auvers only to find that the good Doctor is out of town. He decides to stay at the same inn and pub where Vincent stayed; the kindly innkeeper’s daughter Adeline Ravoux (Tomlinson) who remembered the painter quite fondly puts him up in the very room where Vincent lived and died. Armand sets out while he waits for the doctor to return with talking with various townspeople about the painter, from the doctor’s daughter Marguerite (Ronan), his housekeeper (McCrory), a boatman (Flynn) and the local policeman (Herdman). The more Armand interviews the people who knew Van Gogh the more murky his death becomes. Was it really suicide, as the painter himself confessed to on his deathbed? Or was it something else?

First off, this movie is a remarkable achievement in animation. The filmmakers started by filming the actors against green screen, then utilized more than 100 artists to create each frame as an oil painting in the style of Van Gogh (inserting actual paintings of the master in various places more than 40 of them – see if you can spot them all) which came out to about approximately 65,000 paintings all told. In a way, we’re getting a view inside Van Gogh’s head and coming about as close as we will ever get to seeing the world through Van Gogh’s eyes.

The voice acting can be stiff and stuffy at times, but unlike a lot of reviewers I found the story compelling. There is a bit of a mystery to the death of Van Gogh, particularly in light of a 2011 biography that questions the official account of his death and hints that he may have been the victim of an accidental shooting and that he insisted it was suicide to protect the person who shot him. There are certainly some compelling reasons to think it, mainly based on the angle of the shot that mortally wounded the painter. Most suicides put the gun to their head; most don’t kill themselves by shooting themselves in the stomach which is an exceedingly painful way to go. The angle of the wound also suggests a trajectory that would have made it physically unlikely that Van Gogh shot himself although it was possible.

That said, most scholars today agree that this new theory is less likely than suicide and while the filmmakers here seem to lean in the direction of homicide, it at least gives us a bit of a gateway into examining the painter’s works, particularly in the last months of his life. While the movie seems preoccupied with Van Gogh’s death more than his life – something in which Adeline Ravoux actually scolds Armand about during the film – there is no doubt that the filmmakers hold his work in great reverence.

And that’s really the beauty of the film. It brings the world of Van Gogh to life, gives it depth and meaning in ways that most of us could never do on our own. It will hopefully give some folks the impetus to take a closer look at his work and his life; it did me for sure. Spending so much time trying to make sense of his death may give the movie a bit of a morbid tinge but that doesn’t detract at all from the overall beauty that Van Gogh created – and the filmmakers re-created with such obvious love. I wouldn’t be surprised if this ended up on the shortlist for the Best Animated Feature Oscar for next year.

REASONS TO GO: The technique is startling and brilliant. The use of Van Gogh’s paintings is clever. The story is compelling. The end credits are extremely well done. The film will likely motivate you to explore Van Gogh, his life and his work.
REASONS TO STAY: The film seems more concerned with Van Gogh’s death than with his life. Some of the voice acting is a little stiff.
FAMILY VALUES: The themes here are fairly mature; there’s also some violence, a bit of sexuality and plenty of smoking.
TRIVIAL PURSUIT: Each one of the film’s more than 65,000 frames were hand-painted using similar techniques to what Van Gogh actually used. It took a team of more than 125 artists more than seven years to complete the massive task.
CRITICAL MASS: As of 10/11/17: Rotten Tomatoes: 79% positive reviews. Metacritic: 61/100.
COMPARISON SHOPPING: The Painting (Le tableau)
FINAL RATING: 8..5/10
NEXT:
Clarity

New Releases for the Week of October 6, 2017


BLADE RUNNER 2049

(Warner Brothers) Ryan Gosling, Harrison Ford, Dave Bautista, Robin Wright, David Dastmalchian, Jared Leto, Hiam Abbass, Edward James Olmos, Lennie James. Directed by Denis Villeneuve

Thirty years following the events of Blade Runner, a replicant hunter discovers a long-buried secret that could plunge what’s left of society – nearly destroyed after an electromagnetic pulse detonation in 2022 plunged the technologically-dependent planet into darkness – into chaos. His quest to prevent that from happening leads him on a search to find a legend, one who has been missing for thirty years – a Blade Runner named Rick Deckard.

See the trailer, a clip, a featurette, short films and SDCC coverage here.
For more on the movie this is the website.

Release Formats: Standard, 3D, IMAX
Genre: Science Fiction
Now Playing: Wide Release

Rating: R (for violence, some sexuality. nudity, and language)

Generational Sins

(Freestyle) Daniel MacPherson, Dax Spanogle, Barrett Donner, Bill Farmer. The final wish of a dying mother is that her two sons who have been estranged from each other for some time make a pilgrimage together to the home they grew up in. Both are reluctant to go – the place holds unpleasant memories for the both of them but they soon discover that there is potential for healing and hope in the journey.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Drama
Now Playing: AMC Universal Cineplex

Rating: PG-13 (for mature thematic material involving violence and alcohol abuse, and for some language and suggestive content)

Let’s Play Two

(Abramorama) Eddie Vedder, Mike McCready, Stone Gossard, Jeff Ament. During the Chicago Cubs magical 2016 baseball season, legendary grunge band Pearl Jam was invited to play two dates at Wrigley Field while the Cubbies were out on the road. The band would play material spanning their 25-year-career as well as covers of songs that influenced them. The result was two amazing nights that are being presented on the big screen for the first time.

See the trailer here.
For more on the movie this is the website

Release Formats: Standard
Genre: Music Documentary
Now Playing: Enzian Theater

Rating: NR

Loving Vincent

(Good Deed) Starring the voices of Robert Gulaczyk, Chris O’Dowd, Helen McCrory, Saoirse Ronan. The life and mysterious death of the master impressionist Vincent Van Gogh is examined in a unique animated film that Van Gogh himself would appreciate; each frame is an individual oil painting, more than 65,000 of them painted over seven years. This is a not-to-be-missed opportunity to see a truly one-of-a-kind work on the big screen.

See the trailer here.
For more on the movie this is the website.

Release Formats: Standard
Genre: Animated Feature
Now Playing: Enzian Theater

Rating: PG-13 (for mature thematic material, some violence. sexual material and smoking)

The Mountain Between Us

(20th Century Fox) Idris Elba, Kate Winslet, Beau Bridges, Dermot Mulroney. Two strangers survive a small plane crash in the rugged wilderness of the Rocky Mountains. Alone and with no help coming, they must make a journey on their own to cross the frozen landscape to civilization.

See the trailer, clips, interviews and B-roll video here.
For more on the movie this is the website

Release Formats: Standard
Genre: Adventure
Now Playing: Wide Release

Rating: PG-13 (for a scene of sexuality, peril, injury images, and brief strong language)

My Little Pony: The Movie

(Lionsgate) Starring the voices of Kristin Chenoweth, Emily Blunt, Zoe Saldana, Live Schreiber. The wildly popular children’s TV show comes to the big screen as the Mane Six of Ponyville, finding their town threatened by a dark force, must travel beyond Equestria to get help. Using the magic of friendship they make new friends who will help them win the day. Either that or you get contact diabetes from the sugar.

See the trailer, interviews, a clip and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Animated Feature
Now Playing: Wide Release

Rating: PG (for mild action)

The Stray

(Pure Flix) Sarah Lancaster, Michael Cassidy, Scott Christopher, Connor Corum. A young father hopes to bond with his son by taking him hiking, along with two of his son’s friends and the family dog. As they trek through the beautiful countryside of Colorado, all five of them are hit by lightning. This bizarre occurrence apparently actually happened.

See the trailer here
For more on the movie this is the website

Release Formats: Standard
Genre: Family/Faith
Now Playing: Wide Release

Rating: PG (for thematic elements including a perilous situation)

Viceroy’s House

(IFC) Gillian Anderson, Michael Gambon, Hugh Bonneville, Simon Callow. This is the story of Lord Mountbatten, the last British governor of India who was tasked with the mission of getting India ready for becoming an independent state. With religious factions at odds with one another, it became clear that this would be no easy feat. This is playing at the Enzian as part of the South Asia Film Festival, going on this weekend at the Maitland theater.

See the trailer, clips and a featurette here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: Enzian Theater (Monday only), Cinematique Theater Daytona

Rating: NR

Victoria and Abdul

(Focus) Judi Dench, Ali Fazal, Tim Pigott-Smith, Eddie Izzard. Directed by acclaimed British director Stephen Frears, this is the true story of Queen Victoria and Abdul Karim, an Indian clerk with whom she came to rely upon for advice in her later years.

See the trailer, clips, interviews, a featurette and B-roll video here
For more on the movie this is the website

Release Formats: Standard
Genre: Biographical Drama
Now Playing: AMC Altamonte Mall, AMC Disney Springs, Cinemark Artegon Marketplace, Old Mill Playhouse, Regal Oviedo Mall, Regal Winter Park Village

Rating: PG-13 (for some thematic elements and language)

ALSO OPENING IN ORLANDO/DAYTONA:

Earth: One Amazing Day
Last Night
Overdrive
Vico C, La Vida Del Filofoso

ALSO OPENING IN MIAMI:

City of Rock
Earth: One Amazing Day
Last Night
Overdrive
The Teacher
The Unknown Girl
Woodshock

ALSO OPENING IN TAMPA:

2307: Winter’s Dream
The Crucifixion
The Osiris Child: Science Fiction Volume One
Vico C, La Vida Del Filofoso

ALSO OPENING IN JACKSONVILLE:

Earth: One Amazing Day
Last Night
Trophy
Vico C, La Vida Del Filofoso

SCHEDULED FOR REVIEW:

Blade Runner 2049
Loving Vincent
The Mountains Between Us
Viceroy’s House

FILM FESTIVALS TAKING PLACE IN FLORIDA:

South Asia Film Festival (Enzian Theater, Maitland, October 6-8)
Tampa Bay International Gay and Lesbian Film Festival (Tampa Theater Tampa, October 6-14)

Brooklyn


The romance of Ireland meets the romance of Long Island.

The romance of Ireland meets the romance of Long Island.

(2015) Romance (Fox Searchlight) Saoirse Ronan, Emory Cohen, Domhnall Gleeson, Julie Walters, Jim Broadbent, Maeve McGrath, Fiona Glascott, Eileen O’Higgins, Peter Campion, Emily Bett Rickards, Eve Macklin, Nora-Jane Noone, Mary O’Driscoll, Samantha Munro, Jessica Paré, Jane Brennan, Eva Birthistle, Brid Brennan, Hugh Gormley, Jenn Murray. Directed by John Crowley

There comes a time in the lives of some people – a lot of people, actually – in which the realization that they have no future sets in. At that moment, they may choose to accept that fate or they may choose to pack up and leave and try to make something of themselves elsewhere.

Eilis Lacey (Ronan) had that decision made for her, by her fiercely protective big sister Rose (Glascott) who wrote Father Flood (Broadbent) in New York to help find Eilis lodging and a job in the Big Apple and so he does, in Brooklyn which in 1951 (when this is set) was full of a rainbow of different cultures, including the Irish. Leaving Rose to care for their widowed mother (J. Brennan) and leaving the employ of a miserable harpy (B. Brennan), she sets sail for the Land of Opportunity.

Once in Brooklyn, she is given lodging at a boarding house run by the no-nonsense Mrs. Kehoe (Walters) who tries to keep Patty (Rickards), Diana (Macklin) and Sheila (Noone) in rein which given their Irish high spirits is no easy task. Desperately homesick, Eilis tries to fit in at the boarding house and tries to fit in at the high-end department store where she works under the watchful eye of Miss Fortini (Paré).

At a dance put on by the local Church, she meets Tony Fiorello (Cohen) who has a thing for Irish girls. His soft-spoken geniality and gentle self-deprecating humor appeals to her and slowly she starts out liking her new beau to falling in love with him. However, a family emergency calls her home to Ireland where she ends up facing a new wrinkle there in the form of a new suitor who is equally kind-hearted and quite the catch, young Jim Farrell (Gleeson) who by the standards of Enniscorthy in County Wexford is well-off. Now the young woman’s heart is torn between two continents and two very different lives. Which will she choose?

Da Queen is fond of describing acting performances that she admires as “quiet,” a trait I find curiously endearing. It means something much different to her than to thee and me and yet in this case, I think she might have something. Ronan is absolutely outstanding here, almost certain to get a nomination for Best Actress at the forthcoming Oscars. Much of her acting takes place in her eyes and on her expressive face; her lilting Irish accent is easily understood, and her longings and yearnings are written in her expressions. Any critic who dismisses the role as bland and unmemorable clearly hasn’t been watching this actress closely, and they are well-advised to – methinks she will be one of the industry’s outstanding actresses for decades to come.

The film is beautifully photographed, from the lush greenery of the Emerald Isle to the windswept barrens of the Long Isle (Long Island NYC) to the brownstone comforts of Brooklyn. Much of the movie takes place in the latter location, a Brooklyn where the Dodgers are still Dem Bums, the streets are alive with color and vitality, Coney Island is still the working class escape and the world is full of possibilities. Sure, this is an idealized Brooklyn because it is largely the Brooklyn of memory and memory makes fonder the places we’ve lived in. The Los Angeles of the 1960s was far from perfect but in my own memory, it is an idyllic place and probably nothing like what it really was and certainly nothing like what it is now. That is the nature of places; they change, often faster and more profoundly than we do ourselves.

While the love triangle between Jim, Tony and Eilis is a bit of a stretch (finding two really nice guys who are actually gentlemen is damn near impossible as any woman will tell you), the relationships that Eilis works out with the two of them feel authentic. Eilis is at times too good to be true – a little naive but with an absolute heart of gold (in fact, the movie has no real antagonist other than the harridan Miss Kelly at the grocery where Eilis works at the movie’s start) and a sweet nature that is straight out of a 50s romance movie.

The world has changed a lot since the time Brooklyn was set in and much of the innocence of that time is long gone. It is not uncommon for those who remember that era to long for its simplicity. Don’t discount the value of nostalgia in marketing a movie – as fellow critic Roger Moore correctly pointed out, the movie seems to be consciously aimed at those who like The Best Exotic Marigold Hotel and My Big Fat Greek Wedding. And there’s nothing wrong with going after that demographic either; certainly the audience we saw at our screening skewed older. However, nostalgia isn’t all this film has going for it; Ronan’s star turn is likely to get that Oscar nod and could well attract more film buffs here than nostalgia-seeking retirees. This is a contender for my year’s best ten list; go give this one a watch and it might end up on yours too.

REASONS TO GO: Ronan is magnificent. Beautifully shot. Well-written. A lovely slice of life.
REASONS TO STAY: Maybe a little too idealized.
FAMILY VALUES: Some brief profanity and a scene of sexuality.
TRIVIAL PURSUIT: Although Ronan was born in The Bronx, she was raised in Ireland by her Irish parents; this is the first time in a movie that she’s used her native Irish accent.
CRITICAL MASS: As of 12/16/15: Rotten Tomatoes: 98% positive reviews. Metacritic: 87/100.
COMPARISON SHOPPING: Avalon
FINAL RATING: 9/10
NEXT: The Ridiculous 6